Overseas film purchases are gradually diversified in the era of lithography, Cannes purchased nine participating films, including "No Love to Suit"

On May 21, local time, Microlithography Era announced that it had reached a cooperation with the well-known French film company Wild Bunch to acquire the China copyright to Wild Bunch's nine high-quality films. The well-known American entertainment agency CAA (Creative Artists Agency) assisted Microlithography in completing the transaction. Once the news was announced, it immediately attracted the attention of media and the film industry at home and abroad. World media such as The Hollywood Reporter, Variety, and Screen all published heavy reports on the matter.

On May 21, local time, Microlithography Era announced that it had reached a cooperation with the well-known French film company WildBunch to acquire the China copyright to nine high-quality films of WildBunch. The well-known American entertainment agency CAA (Creative Artists Agency) assisted Microlithography in completing the transaction. Once the news was announced, it immediately attracted the attention of media and the film industry at home and abroad. World media such as The Hollywood Reporter, Variety, and Screen all published heavy reports on the matter.

From right to left are Meng Danqing, Director of Corporate Development of CAA China, Yang Dan, Senior Vice President of Microfilm Times and President of Yuyue Pictures, and Vincent, CCO and co-founder of WildBunch. Malawal, Vice President of Micrography Era Xiang Ming.

"Screen","Variety","Hollywood Reporter" and other media reported on this matter immediately on the official website.

Nine WildBunch films will enter the excellent competition in China and the works will bloom wonderfully.

The nine films purchased

this time are the 70th anniversary of Cannes. WildBunch company is very heavily relied on this year. Only the nine films that cooperated with the lithography era are crouching tigers and hidden dragons. The most eye-catching ones are "No Love to Tell" by director Andrei Saginsev of "Leviathan","Rodin" by director Jacques Duvalon of "Young Witt", and "The Artist" director The performance of Michael Hazanavius's new film "Awed". The above three films, together with female director Lynn Ramsey and famous Russian director Sergei Loznisa's new film "Gentle Woman", were all shortlisted for the main competition in Cannes. They will compete for the Palme d'Or; French director Desprichin's new film "Ismail's Ghost" is the opening film of this year. In addition, the film "Narrow" was shortlisted for the "One Attention" unit, the documentary "12 Days" was shortlisted for the "Special Screening" unit, and the noir film "Loyalty", which is still in post-production, are all capable players in WildBunch's master team.

Among the nine films, Arnold Desprichin directed the opening film "The Ghost of Ismail", which gathered heavyweights such as Matthew Amarick, Charlotte Gansbrough, and Marion Cotillard. The emotions were enthusiastic, fantasy and reality were intertwined, and they received high attention and reputation. After the premiere of the Palme d'Or award-winning hit "No Love to Cure", the on-site score was as high as 3.2, which is the highest score at present. Its freshness on rotten tomatoes was also as high as 90%. It was rated as "extremely penetrating" by foreign media. A social ethics film has more emotional impact than Sarkinsef's previous book "Leviathan." Fortunately, all nine films will enter China, and China audiences can enjoy an audio-visual feast.

China film company Cannes has attracted attention

. Regarding this cooperation, WildBunch said,"Microfilm Era is the new generation of film companies in China that we have been paying attention to. Their strong Internet distribution capabilities, big data accurate marketing and distribution capabilities, online ticketing and adherence to and promotion of high-quality films are all deeply appreciated by the industry. Microfilm Era has also made outstanding contributions to promoting international films in China."

Yang Dan, senior vice president of the Microfilm Era, said,"WildBunch is both professional and pioneering in the field of international film distribution. The Microfilm Era has always been committed to promoting the diversification of the Chinese film market through overseas and other means, focusing on high-quality and diverse film content, from the domestic films" Journey to the West "and" We were Born in China ", to the promotion films" The Fall of London "and" The Extreme Agents: The Ultimate Return,"Speed and Passion" series, etc., the lithography era relies on its own Internet and big data advantages to successfully promote many high-quality content at home and abroad to the China market, allowing more China audiences to enjoy an excellent light and shadow experience. "

WildBunch, a French film company with widespread influence around the world, produces and distributes many masterpieces such as" City of God "," The Artist "," Spirited Away "," The Life of Adele "," The King's Speech "," I Am Blake "and many other masterpieces that have swept major film festivals and have box office appeal, occupying a leading position in the global film production, marketing and distribution that achieves a win-win situation for both business and art.

WildBunch also has a strong relationship with China. It has participated in the co-production of "Purple Butterfly" and "The Mysteries of the Floating City", and has published Wong Kar-wai's "The Master of the Generation". For many years, it has been a successful promoter of many China films entering the European and American markets.

At the Cannes Film Festival this time, Yang Dan also said,"Microfilm Era is one of the organizers of this Cannes official main unit event,'China Face to Face'. On the basis of adhering to local fine films, it builds a bridge between Chinese films and overseas films. The copyright of nine best films is a gift from Cannes this time. We will make full use of our platform advantages and join forces with WildBunch to allow more Chinese audiences to see these nine best films.

Editor: queenie