In 2016, 80% of the top 10 domestic films were co-productions

According to statistics from China Film Co-production Companies, in 2016, 89 co-production feature films were approved, an increase of 9 from 80 in the previous year, a new high in the number of co-production films approved over the years.

According to statistics from China Film Co-production Companies, in 2016, 89 co-production feature films were approved, an increase of 9 from 80 in the previous year, a new high in the number of co-production films approved over the years.

Among them, 54 films were co-produced between the mainland and Hong Kong, 10 films were co-produced between China and the United States, and 8 films were co-produced between the mainland and Taiwan, accounting for 81% of all co-produced films approved.

In addition, in 2016, 71 co-productions were reviewed and approved by China film co-production companies.

Among the top 10 domestic films in the box office rankings in 2016, 8 films including "Mermaid","Operation Mekong","Macau 3","Kung Fu Panda 3","Jedi Escape","Great Wall","Beijing Meets Seattle 2" and "Ip Man 3" are all co-productions.

All of the 54 co-productions established in mainland and Hong Kong have a "commercial style"

. In 2016, a total of 89 co-productions were approved for approval, and another 4 co-productions were co-produced. Among them, a total of 54 co-productions were approved in mainland Hong Kong, 1 co-productions was approved with Macau, and 8 co-productions were approved between mainland China and Taiwan. Chinese-language co-productions are still the mainstream.

Mainland and Hong Kong filmmakers have been working in for a long time. After stages such as capital cooperation, actor cooperation, and Hong Kong directors '"going north", the number of co-productions between the two sides has steadily increased. In 2015, 48 co-productions were approved in mainland and Hong Kong, and last year it rose to 54.

Among the top ten domestic films in the box office rankings in 2016, four films including "Operation Mekong","Macau 3","Beijing Meets Seattle 2" and "Ip Man 3" are all co-productions from the mainland and Hong Kong. Works such as "My Special Agent Grandpa","Before Dawn","The Apostles","Lu Yao Knowing Ma Li","July and Ansheng","Grandpa's Birth Age 38", and "The History of the Death of Romantique" have also caused quite a stir in the market. In addition, works such as "The Legend of the Demon Cat","The Battle of the Sharp-flavored Jianghu God of Cookery","The Legend of Wukong" and "Spring Beauty Saving Zhiming" will also be available to the audience in 2017.

Compared with the commercial co-productions from mainland and Hong Kong, the co-productions between mainland and Taiwan are full of youthful literature and art. In 2016, 8 co-productions were approved between mainland China and Taiwan, a slight decrease from 13 in the previous year.

Every year, one or two co-productions between mainland China and Taiwan can attract greater attention. Following the previous year's "Assassin Nie Yinnian" and last year's "Liunong Cafe", the comedy film "Forgetfulness Village", which has been targeted for this year's Spring Festival, has a "dark horse" look."Portrait of a 19-year-old in Summer" has also inherited the tradition of Taiwanese youth films. It will also be released on an optional basis this year.

Since

China and the United States signed the "Memorandum of Understanding between China and the United States on Resolving WTO Film-Related Issues" in 2012, not only the number of films introduced and the proportion of accounts shared by the film companies have increased, and the exchanges between Chinese and American filmmakers have also become increasingly close. After four years, Sino-US co-productions have yielded fruitful results.

"Crouching Tiger, Hidden Dragon 2" and "Escape from the Jedi", which were approved in 2013, were both released in 2016, and the latter grossed 889 million yuan in box office;"Great Wall", which was approved in 2014, became the finale of the year last year, and the cumulative box office is currently close to 1.05 billion yuan;"Kung Fu Panda 3" and "My Best Friend's Wedding", which were established in 2015, are also excellent works with both box office and word of mouth. The former also reached 1.002 billion yuan at the box office, becoming the box office champion of domestic animation.

Compared with the four Sino-US co-productions in 2015, including "Zhong Kui Conquering the Devil","The Taoist Goes Down the Mountain","Fate" and "Rampage in Hollywood", last year's several works have achieved "upgrades" and "transcendence" in terms of production scale, main creative lineup, box office output, and post-release word-of-mouth.

Judging from the current known information, the 3D magic movie "Dare to Ask Where Is the Road" produced by Ruyi Pictures and Paramount and starred Liu Xiaolingtong,"The Sojourner" adapted from Yan Geling's novel and starred Fan Bingbing, the action movie "Crazy Rally" starring Keanu Reeves, the war movie "Air Strike", the romance movie "Love in Manhattan", the suspense movie "Dragon Shocks the World", etc. have all been established in co-production companies, and they are all "big" Sino-US co-productions. Against the background of further opening up of the mainland film market, the role played by Sino-US co-productions in the industry will also become increasingly important.

China-UK co-productions are all outstanding and China-France co-productions are ready to go,

"Mermaid","Chills 2","We were Born in China","My Secret Service Grandpa","Hide and Seek"... These films are of different genres and market performance are very different, but they all have the same identity-China-UK co-productions.

In 2015, China and the UK signed a film co-production agreement. Among the Sino-British co-productions reviewed that year, the name "Mermaid" was prominent. The score of 3.393 billion yuan not only set a new single box office record in the mainland market, but also gave China and the UK The filmmakers of the two countries have confidence. According to the information provided by the co-production company, Stephen Chow's new film "Journey to the West to the Demon" has also been approved as a Sino-British co-production.

France has always had great support for directors of China literary and artistic films, but in 2016, only two Sino-French co-productions were approved, namely "Story of Insects 2" and "Fog Paris." Compared with the previous two years, films such as "Night Peacock","Old Man of Mountains and Rivers","Gate of the Warrior" and "Woman in the Frame" have declined in their topicality and attention.

In addition, among the co-productions approved for approval in 2016, there are also China-South Korea co-productions of "A Beautiful Life","Extraordinary Father and Son" and "Dance Lion", China-Russia co-productions of "Kung Fu Duck Man", China-China co-productions of "The Legend of the Elephant", China-China co-productions of "The Cute Pet Death Squad", China-Canada co-productions of "Monkey King: Chaos Stone", China-Australia co-productions of "The Longest Shot", China-China co-productions of "Animals Are Crazy 2", China-China co-productions of "Opera Story", China-Italy co-productions of "Eternal Moment", etc.

In 2016, the co-production partners covered 17 countries and regions, also setting a record high. At a time when the growth rate of movie box office is slowing down, both the number of co-productions and the countries of cooperation are increasing. Chinese and foreign filmmakers are working together to continuously inject vitality into the film market and provide the audience with richer and more diverse viewing options.

Editor: yvette