Mengziyi's Chinese-style early summer photo: Bright yellow is incorporated into the painting, unlocking the undefined vitality of a girl

Jiuzhi Network News When the bright yellow suspender skirt hits the mottled blue brick old wall, when the rotating paper windmill meets the intangible cultural heritage paper-cutting kite, when the icy sweet sand-flesh watermelon sets off the girl's delicate eyebrows, Meng Ziyi released This set of early summer portraits, with its full screen of fresh vitality, has poked countless people's beautiful imaginations of summer.
In this group of films, there are no overly exquisite set sets, no complicated high-definition shapes, and no deliberately recessed perfect characters. There is only the most authentic summer fireworks and the most stretched girly state. She stood comfortably under the old city wall and in front of the old wooden door, every frown and smile with unguarded agility, interpreting "effortless beauty" just right.
The soul of the entire set is the bright but not gorgeous goose-yellow suspender skirt. Like the sunshine that just passes through the leaves at noon in early summer, it is bright but not dazzling, gentle and powerful. The design of the thin sling lines the superior shoulder and neck lines. The soft and waxy fabric has the right feeling of drooping. There are no unnecessary decorations, but it pulls the girl's delicate and agile to the extreme. The long black hair, which is slightly curled, is scattered casually and swayed gently when the wind blows. The clear foundation makeup sets out the original good state, and the red tone at the end of the eyes adds a touch to the clear and sweet atmosphere. Attractive style, sweet but not greasy, gorgeous and impressive.
The most touching thing about this group of photos has never been the outstanding appearance and dress, but also the perfect blending of the Chinese retro atmosphere and the early summer market fireworks into every frame.
The mottled blue brick old wall, with the thickness of time, forms a wonderful collision with the bright yellow figure. The thick background makes the girl's vividness more prominent, like a beautiful girl who walked out from the old times and turned around and bumped into the early summer wind. The yellow papermill turning in her hand is the most vivid summer memory of her childhood. With a gentle turn, she pulls people back to the carefree afternoon. When she looks up at the camera, her eyes are full of light and beautiful. Smart.
Half a piece of ice-sweet watermelon is the most representative symbol in early summer. She leaned in front of the old wooden door and took a small bite of lipstick. She was lazy and casual, and the screen was filled with the smell of summer fireworks. There is no deliberate pose, no perfect expression management, but it is like a relaxing moment when the next door sister enjoys the shade in front of her own house. There is no sense of distance, only full of vitality and healing.
The red-and-white paper-cut kite is the most eye-catching oriental symbol in the whole set of films. The traditional auspicious cloud pattern carries a unique Chinese romance. She holds the kite in her arms, or uses the same series of paper-cutting fans to partially cover her face. Her eyes flow, there is a hint of gentleness hidden in her beauty. The Western-style halter skirt creates a wonderful chemical reaction with the traditional Chinese elements. There is no sense of discord at all, but instead creates a unique Chinese girl atmosphere that is not bound by style.
Many people have the impression of Meng Ziyi as the vivid and straightforward "Sister Meng" in variety shows and the bright and generous actress on the screen. However, in this group of photos, she has removed all labels and returned to the most authentic. state of a girl. She can be a girl holding a windmill and blinking brightly, or a gentle girl holding a kite with gentle eyes, a girl next door who is relaxing casually while chewing on a watermelon, or a goddess of atmosphere leaning against the city wall. The freely retractable lens expression allows each picture to have a different emotion. It is not trapped by a single label, and can always play its own flavor in different styles.
The sentence "Looking forward to Xin Mei ~ It looks like it" in the accompanying text also gave this group of photos a little more expectation. In the picture, she not only has the vitality of a young girl, but also has the sense of story hidden between her eyebrows. Every frown and smile have unintended appeal, which makes us unable to help but hope that she will be on the screen and give us what a lively and moving Xinmei brings us.
In today's aesthetics, everyone is always pursuing the ultimate exquisiteness and perfect scenery, but they forget that the most moving pictures are always vivid and relaxed with fireworks. Meng Ziyi's group of photos did not have gorgeous packaging. They only used the most daily early summer elements and the most pyrotechnic Chinese scenes to create the most touching girlish feeling.
It also tells us that girly feeling has never been a stereotyped sweet girl template. It can be bright, it can be gentle, it can be delicate and agile, it can also be casual and relaxed. Its core has never been age and clothing, but the light in the eyes, the vivid vitality, and the freedom and beauty that are not defined by labels.