Mao Yu of the State Administration of Radio, Film and Television: Feelings, innovation, and precision awareness are the foundation for the development of TV dramas
Mao Yu believes that at present, China's TV dramas are in a critical period from quantity growth to quality improvement. under the deployment of the leaders of the propaganda Department of the Communist Party of China Central Committee and the General Administration, the vast number of TV drama workers have made joint efforts to constantly push through the old and bring forth new and excellent works, and the influence of excellent works has been increasing.
Mao Yu
Director of the Television Department of the State Administration of Press, publication, Radio, Film and Television delivered a speech. He said that for a long time, Chinese TV dramas have maintained a steady production of about 15000 episodes a year, with constantly enriching creative styles, constantly updating creative techniques, and expanding their influence. According to statistics, the audience of Chinese TV dramas is about 1.28 billion, the audience of online video and mobile video users reaches 909 million, TV, PC and mobile phone users account for more than 50% of TV dramas, and the audience of TV series composite channels reaches 1.1 billion. The market is huge, TV dramas are still the largest among all programs broadcast, and TV dramas are always the main demand of mass culture consumption.
the topic of the TV series forum is Chinese TV series" Craftsman Spirit ": the further deepening of realism. Guests present included Yan Jiangang, vice chairman and secretary-general of the TV series director working committee of China Radio and Television Association, Yu Hong, vice dean of the School of Journalism and Communication of Peking University, Jinliang, general manager of Shandong Film and Television Media Group and chairman of Shandong Film and Television production Co., Ltd. Jiang Yunfeng, chairman of Shiyang Media and founder of TV series Eagle Eye. Starting from Lu Opera, everyone discussed the topics such as "fast" and "slow" in TV drama production, "more" and "less" in TV drama production, "big" and "small" in TV drama projects, and explored the era significance of "craftsman spirit" at a deeper level. to explore a way out for the development of "new national opera".
Edit: nancy