"Ice, Rain and Fire" restores the appearance of drug control in the new era and celebrates the dedication of front-line cadres and police officers.

The realistic drama "Ice, Rain and Fire" starring Feng Jiayi, Aidong, Gong Lei, Zhang Yuqi and Song Xi, starring Fu Dongyu as chief director, Malias, Zhang Iris and Fu Dongyu as chief screenwriter, Chen Xiao, Wang Yibo, Wang Jinsong, Liu Yijun, Zhao Zhaoyi, Zhang Zhijian, Guo Xiaoting, starring in Youku, is being broadcast alone on Youku. It is firmly at the top of the hot list of station, suspense theater and criminal investigation drama. The plot's ups and downs affect the hearts of the people, and the audience has also found more and more creative ideas in the process of chasing the drama, from "Ice, Rain and Fire" to a high summary of the working conditions and psychological portrayals of the front-line anti-drug policemen. To the growth and transformation of the protagonists Wu Zhenfeng and Chen Yu in the English translation drama, the common emotion of sharing a common fate with the people in the play is getting stronger and stronger, and we really feel the urgency of drug control in the new era. Unwittingly, the story of "Ice, Rain and Fire" has reached the end of 1/4, and the inner sufferings of the protagonists have reached their limits, almost the struggle and pressure coming out of the screen, throwing the ultimate suspense of "who is the real BOSS behind the scenes" to the audience and winning the praise of the "immortal plot" and "the sense of quality".

the role growth line is fresh and plump, demonstrating the strength of young people who are sincere and tenacious

Talking on the phone under the noses of cunning and sophisticated drug dealers, Wu Zhenfeng and Chen Yu once again succeeded in breaking through the "barrier of life and death" with tacit cooperation and absolute trust. After this colorful show, the English name of # is Wu Zhenfeng and Chen Yu's growth line # has quickly become the focus of discussion on social media. Wu Zhenfeng's starting point was the "gambler" who avenged his father, who would do whatever it takes to get revenge, until he saw Lin Dezan and Chen Liwen, drew the temperature of integrity and kindness from them, and believed in the power of justice and law. Chen Yu's starting point was an ignorant young anti-drug policeman who faced the cunning and cruelty of drug traffickers, was mentioned again and again by his elders like a father, charged with his comrades-in-arms side by side, and transformed into a calm, intelligent, and brave mature soldier. As gripping as the plot of repeated suspense and reversal, it is the transformation journey of these two young people who are in different circumstances and have similar growth trajectories. The process of breaking bones and growing up again and again must go through heartache, hitting the characters, and the pain in the hearts of the audience, which also makes the audience more moved by the passionate and tenacious character of the two young people in the difficult desperate situation.

Women do not give way to eyebrows, "Ice, Rain and Fire" is also written about the elegant demeanor of the female drug police. Lan Enron, who had lost her parents to drugs, was one step away from being stuck in a drug quagmire. Lin Dezan, who appeared in time, was the anchor of her rickety ship, pulling her into the right direction and becoming part of the Great Wall of Drug Control. Wu Zhenfeng, Chen Yu, Lan Enron and other young people, whether they face life and death directly, or after spiritual collapse and reconstruction, stand firm in difficult circumstances, and their tenacious forward spirit corresponds to the current youth's high-spirited upward and light-oriented spirit; with the attitude towards life and an indestructible sense of mission, they form an invisible guidance to the audience, and also extend the spiritual core of "Ice, Rain and Fire" far forward.

outline the fate of good and evil, spread the sense of social responsibility of the whole people in drug control.

The front-line anti-drug police and hidden drug traffickers constitute a huge and complex network of characters. From the perspective of the audience, the people in the play are not only difficult to distinguish between good and evil, but also stand at the fork in their lives and go to the next exit of fate actively or passively. Wu Zhenfeng and Chen Yu were children who had been lost for many years, and when they were reunited, they did not look like what they remembered: Wu Zhenfeng had a complicated relationship with drug traffickers, while Chen Yujian's enthusiasm for drug control work returned to the drug brigade; Liu Kaihua and Jiang Lei were close relatives, one was the backbone of the drug brigade, and the other was a young man with a bad record of drug traffickers. Yang Ling and Wan Mengmeng both grew up in families where their relatives were involved in drugs. Yang Ling was able to grow up physically and mentally because she was handed over to Lin Dezan by Yang Xingquan, while Wan Mengmeng suffered from drugs because of her father's negligent discipline. Ice, Rain and Fire uses a very tense comparison to depict the impact of drugs on individuals and families.

As a realistic drama, it interweaves the experiences of the times, society, environment and individuals, which can best arouse the extensive empathy of the public and lead to self-reflection and self-reflection. The fate of the characters in "Ice, Rain and Fire" adds a lot to the core of the series. In the border environment where drugs are rampant, when the characters make different choices, the fate changes accordingly, forming different personalities, ideals and moral standards. Under the trial of fate, the different endings of the characters further affect the value orientation of the audience, making the audience feel the great harmfulness of drugs, and at the same time strongly and intuitively compare and stimulate the audience's senses and awaken the audience's vigilance against drugs. establish a conscious consciousness of resolutely staying away from drugs and cooperating with the fight against drugs It shows the strong sense of social responsibility of the creative team of "Ice, Rain and Fire" in undertaking the anti-drug mission and the aesthetic influence of literary works that nourish all things in silence.

laying the groundwork for multi-dimensional details, breaking through the stereotype of suspense and creating excellent anti-drug works

The narrative vision of "Ice, Rain and Fire" is Gog of its own, and what is more rare is that it brings the suspense criminal investigation type narrative with emphasis on structure and rhythm to a new stage. The cold, realistic lens style highly restores the current situation on the front line of life and death on the anti-drug front; even in the most conventional dialogue scenes, the creator keenly captures the changes in the inner world of the characters through the movement of the lens and the changes in the scene, contrasting or echoing with the lines, achieving the "implication", which makes the character's position and plot more complicated and confusing. In addition, making good use of details has also become the cornerstone of a huge amount of information. Wan Heda revealed that Wan Mengmeng "had epilepsy", but actually hinted that she might have a drug addiction attack. Yang Yi made a diversion and admitted to Liu team that she had called Yang Ling before the tea factory action, which exposed Yang Xingquan. The seemingly inconspicuous details become the basis for supporting the logical rationality of the whole play, and it also makes the sense of suspense of "winding paths" and "willows and flowers bright" more and more intense, fully arousing the emotions of the audience and making the audience unable to stop the development of the plot.

The upgrading of the multi-dimensional narrative strategy has given "Ice, Rain and Fire" a more far-reaching aesthetic connotation, achieving its market position at the end of the summer holiday. At the same time, it shows the strong staying power of anti-drug stories in audience attractiveness, realistic influence and social empathy, which further strengthens the social value carried by realistic dramas, and the positive feedback of the audience also injects confidence into the industry. Works that continue to innovate and take root in life will be able to go both ways with the audience.