Watching a play is a pervert, and he scolds the young fresh flesh for being neither male nor female. Is this screenwriter relying on weakness to commit murder?

the day before yesterday, strong > # Wang Hailin approved the petition # / strong >.

after "Chen Qing Ling" was broadcast for more than a month, Douban's rating and word-of-mouth turned against the wind. When it went up from 4.80 to 7 +, screenwriter Wang Hailin posted his opinion on Weibo, describing the play strong > as "perverted". / strong >

two days later, he once again focused his gunfire on" Chen Ling "and directly used the word strong >" disgusting " / strong >:

these two Weibo posts went viral on the Internet. A large number of fans came to comment under his Weibo.

Wang Hailin also enjoyed it and continued to reply in the comments. strong > not only used "humiliating himself" to describe the fan group of "Chen Ling", but also criticized the platform, investors, creators and other relevant people for being shameless. / strong >

fans criticize him:" you can point, but don't abuse; if you don't like it, please at least respect it. "

he replied-- strong > I never respect shows I don't like. / strong >

some people praise his smelly feet, and he is so complacent that he even quotes the classics. strong > quotes du Liniang as an analogy with fans watching the drama / strong >, which seems to be tight in literature and art, but he can think of the word" gentleman's disease "a little bit, which is really showing off, showing off, and showing off a sense of superiority.

waited until the besieged crowd surged in, Wang Hailin simply replaced his avatar with a group photo of Xiao Zhan and Wang Yibo.

all I need is a few big words on my head: strong > "come and scold me" / strong >

01

, so many people want to ask, who on earth is Wang Hailin?

strong > he is a screenwriter, producer and producer. / strong >

strong > he is the current vice president of the Chinese Film and Literature Association and a member of the Film Literature creation Committee of the China Film Association. / strong >

if this series of titles is still too unfamiliar, then I'm afraid no one knows when it comes to his works-the famous "Let's see the Meteor shower" and many classic quotations are still there.

, as a famous screenwriter in the industry, Wang Hailin is far more famous than his peers, not necessarily because of his excellent works, but because he has some shocking quotations in front of the public every once in a while.

for example, as early as 2016, he made a comment on Weibo:

's attack on fresh meat has always been an important part of Wang Hailin's quotation.

in 2017, Wang Hailin delivered his year-end speech at Peking University, with sarcastic language and sharp views. strong > criticized the model of big IP+ and fresh flesh / strong >.

in this bombardment of the whole film and television industry, he said that investors are greedy for profit, directors and producers are short-sighted, actors' acting skills are poor, and dear audience friends have a vulgar taste, which is simply within sight, and" the style of the whole staff is glamorous. "

Wang Hailin conveys another attitude to the public: screenwriters are victims, there are no good works because good books are buried, and no one is interested in good screenwriters, so bad actors are rampant, and the film and television market is a mess.

in the 2018 issue of the Roundtable, he shared the star's art of "public relations infidelity" and showed off his proficiency in the rules of the circle.

then he issued a manifesto that "some fresh meat is synonymous with bad movies" to create a fascinating topic-- his painting style is so familiar that it simply copied last year's speech:

in essence, he strong > looks down on / strong > this generation of young actors equally, regardless of his acting skills. It's all a pile of non-recyclable garbage.

Wang Hailin defines them as a performing group without "awe", blatantly and openly attacking them.

's remarks won a wave of applause for Xiao Xianmei when he was collectively downplayed at the beginning. / strong >

strong > so Wang Hailin naturally assumed the obligation of "public knowledge" in a sense. Until the shelling of the "Chen Ling" incident, people finally vaguely felt that something was wrong. / strong >

strong > fresh meat = sissy, see "Chen Qing Ling" = pervert, sexual depression / strong >

strong > is it like those fat foot-stingers around you, snorting disdain at the little fresh meat on the screen? / strong >

strong > but the same quotation appears on a so-called intellectual public knowledge in a harsher and more reasonable form. / strong >

strong > in him, I don't see the self-cultivation as a well-known man, only the conceit and superiority of a greasy middle-aged man. / strong >

02

be clear first. Is there a problem with saying that "Chen Ling" is a bad film?

No problem.

originally, as a professional in the film and television industry, it is only normal to make some personal opinions on the current popular TV series.

even though sometimes the remarks about the play itself may be too extreme, the public will still judge with a relatively neutral and tolerant attitude, praise when praising, and never be lenient when criticizing.

but Wang Hailin's remarks are uncomfortable because he projects his disdain for a play to an insult to the whole subject matter and to an entire group.

strong > in a state in which the world is drunk and I wake up alone, he uses his tongue and knowledge to distort the purpose of watching the show that he is not ashamed of, and incites some people who are equally biased to attack / strong >-for example, the connotation of women's desire to pursue American TV shows only comes from their own "sexual repression" and publishes it openly on the public platform as a conclusion.

countless straight male cancers have since had quotations that can be regarded as the golden rule. Wang Hailin, with his knowledge, has given them a sharp knife.

ridiculously, it is such a person who also said: strong > the film and television industry is an industry of values. / strong >

what happened on Weibo fermented for several days. Wang Hailin is not afraid of being diss at all. It can be seen that he enjoys being scolded and smelly feet.

to him, all curses are bound to be ridiculous, but a group of ignorant audiences are still bluffing, while those who tell the truth are doomed to be silent. strong > this kind of distorted emotion unique to the sour literati, on the contrary, it makes him taste the secret delight of "all the people in this room are idiots, but I am not." / strong >

he reveled in the loneliness of "unbearably cold above", and his sense of superiority of the minority reached its peak when he was attacked by the masses.

the so-called "bravely speaking out in order to correct the market" has changed its flavor as early as in "I wake up alone" again and again.

03

Wang Hailin's speech is very Wang's style, "exit is logic."

as a screenwriter, when Wang Hailin evaluates actors, his first consideration is not his acting skills and ability, but the repeated investigation of his fans and popularity, continuous abuse and fierce shelling.

he does not hesitate to ask himself with the lowest posture, but treats the audience with the highest requirements, saying that the audience's eyes are vulgar, only because the audience is not in line with his own taste. The crusade against the kernel is outrageous and illogical.

where the taste is different, Yang Chunxue is himself, Xiuriba is the audience.

just as in those years, Wang Hailin's double label already had a clue:

for example, he said: "there are many young screenwriters in our company, and I explicitly forbid them to write such a dialogue:" adults spare their lives. " "you're bad. You're bad." "

what about the works that he has been able to produce for so many years?

except for "Iron Tooth Copper Tooth Ji Xiaolan" co-written by several screenwriters, there is only one movie "Let's watch the Meteor shower".

aesthetically, he claims that the most popular male actors in China are those who are neither male nor female, posing a threat to the aesthetic security of the country, while European and American actors have a strong masculine symbol.

Actor = the will of the country, fresh flesh = actors who are neither male nor female.

this cultural person, who still has some say in the circle, takes the lead in denouncing minority circles and culture as heresy.

in fact, the public is not unaware of the status and situation of domestic screenwriters, and therefore, the tolerance of domestic screenwriters, no matter their works or their complaints about market malformations, is far higher than that of South Korean, American, British, and so on.

as a drama review, we have heard more than once the sentence "I can't watch a Korean drama with a score below 8.5, but I feel very good when I get a score of 7 in a Chinese drama."

Volkswagen is trying to understand the awkward situation of domestic screenwriters.

strong > but when did such consideration and tolerance become an excuse for relying on weakness to commit crimes? / strong >

has become an omnipotent shield for screenwriters who partly have the right to speak, to throw off the pot and to rule out the limelight of dissidents?

it is not easy for domestic screenwriters to survive, but what are others doing in the same situation?

Liu Heping, who is also a screenwriter, not only completed the amazing works of "Daming Dynasty 1566", "Yongzheng Dynasty" and "Peiping No War" (Douban scored 9.7,9.0,8.9 respectively), but also showed the literati's style in dealing with different types of works.

Li Yinhe, who is committed to advocating sexual equality, clearly pointed out that the consumption of young fresh meat and male sex is the necessity of the diversified development of society. Different people should be allowed to live with different attributes rather than criticize or even abuse:

while Wang Hailin, as a well-known figure, shows little professionalism, and inclusiveness is really rare and rare.

in fact, the name of his well-known screenwriter is also bigger than the content--

well-known screenwriter. I'm afraid we have to take this word apart.

the script and performance of "Let's see the Meteor shower" are indescribable, but its popularity is obvious to all.

and the "Iron Tooth Copper Tooth Ji Xiaolan" series, although the editor-in-chief Zou Jingzhi is well known, Wang Hailin, as one of the screenwriters, has at least joined the creation of the third and fourth installments, even though they are the two of the series with the lowest quality and reputation.

in addition, although he is obviously a screenwriter, Wang Hailin thinks of himself as a professional film critic and drama critic all day long, lingering in major media platforms and lecture venues.

in the final analysis, this society has never opposed "different voices", but from the superior point of view of outsiders, it is absurd to comment on works they have never known and highlight their sense of minority superiority.

as a public figure with a voice in the circle, he can incite others and attack the audience with his tongue. this kind of behavior is really impossible for people to say: proper.

this kind of mean and self-criticism does great harm to the audience.

Wang Hailin finally gave us a performance full of bad feelings with his self-satisfaction.

but this market wants to become more and more normal and open, relying on real writers and writers who are tolerant of the subject matter and strict with quality, rather than these cultural hooligans who try to highlight themselves.