Pink gauze drags on the ground, light and shadow weave dreams: Zhang Xueying's "movie sense" fashion poem

Jiuzhi Entertainment News The bell tower in the retro streets is lined with red tunes, and the pink gauze dress drags soft light all the way. When Zhang Xueying's skirt passes through this retro venue, this encounter between "fashion and film" becomes a flowing poem.

She wore a light pink ceremonial dress, or stood in front of a retro building with the skirt hanging down like a cloud; or leaned sideways under the mottled walls of an old alley, with a backless design blending in the gentleness of fireworks. The black bow is the finishing touch of the skirt, like a romantic footnote that suddenly jumps out in a silent film, sewing the girl's brilliance and sense of story into every inch of fabric.

In the lens, she is the "movie protagonist" shuttling through the retro texture of the city: the light and shadow of the dome space is wrapped in the skirt, the coldness of the stone handrail is matched with the softness of the gauze skirt, and the firework old shop collides with the exquisite ceremonial skirt. In contrast, every frame of the picture is like a frame cut on film-both the exquisiteness of fashion and the sense of story "hidden in the bells and hidden under the fireworks."

This "movie festival"-like shape is the symbiosis of fashion and venue, and it is also the dance of young girls with light and shadow. When the skirt swept the wind of the venue, she became the brightest ray of light in her story.