"Youth Fight" high-energy upgrades, the plot attracts attention, focuses on diverse social topics and resonates
it is led by director Zhao Baogang, starring young actors Zheng Shuang, Gai Fengxi, Xu Yue, Chen Xiaochao and Wang Xiuzhu, and starring Xu Yang, Su Xin, Qijie, Gao Taiyu, Liu Shualiang and Ren Zhong, Wang Yang and Zhang duo. Youth fight, a realistic youth drama co-produced by Beijing Xinbaoyuan Film and Television Investment Co., Ltd., Beijing perfect Film and Television Media Co., Ltd., Beijing Television and Shanghai Media Group, is being broadcast on Beijing Satellite TV and Oriental Satellite TV in prime time, and broadcast on Mango TV, iqiyi, Youku and Tencent Video. The drama-related keywords "Youth fighting", "Youth fighting Dinglan", "really unforgettable Zhao Cong", "distressed Zhuang Yi" and "Youth fight Forecast" continue to dominate the list of hot searches on the screen, and the plot continues to be high-energy, causing heated discussion among netizens.
in this week's plot, five girls ushered in a new life and a new relationship, but the test of youth is still with them. Complex emotional entanglements and the confusion of future development are always lingering, while the five girls struggle with difficulties and insist on the vigorous fighting spirit of moving forward, which makes countless audiences feel the "upward strength".
< strong > five girls come to the crossroads of youth to meet "love" and "workplace" double entanglement < / strong >
Life is the result of countless choices, and in youth, you need to face all kinds of different choices all the time, as the plot advances. Five girls once again stand on the "crossroads of youth", each of whom's different choices seem to herald their future. Xiang Zhen, who started a new relationship, is still unable to completely get rid of the impact of "lovelorn", sandwiched between the memory of "ex" Zhao Cong and his love for "current" Zhuang Yi. Netizens from the two schools of "scallions Girl" and "Zhenyi Girl" argue constantly about the development of their relationship to the real future. It is also urgent to make a choice in the workplace. The immediate leaders want to bring them to change jobs together, and the editor-in-chief of the magazine is also entrusted with the important task of how to face the dual choice of "workplace" and "love", which makes people's desire to pursue drama surge.
in addition, several other girls also experience important life choices. Qian Beibei went to Shenzhen with Shen Yan and chose to "travel around the world for love." Ding Lan and starry photographer Russell went on a "say-and-go trip", but they returned to Beijing again because they could not accept the difficult living conditions during the journey. Ding Lan's mother was also "a demon" again and sent a letter from a lawyer severing the relationship between mother and daughter. Ding Lan's future obviously still needs to be entangled. Jin Xiaoni, who hovered between "scumbag ex-boyfriend" and "clingy puppy", had no choice but to "lose one thing and the other" because she was slow to make a choice. Yu Hui, who had been going well before, also encountered the crisis of "investor divestment". Not only did she run aground in filming, but she was forced to flee to Shenzhen because her boyfriend Lin Sen owed usury. Although she was determined to "carry it" with Lin Sen, the great change in life still eroded Yu Hui's strength. With the vast road ahead, it is worth looking forward to how the youth stories of the five girls will develop.
< strong > focusing on the pluralistic social topic "the History of Youth growth" resonates < / strong >
as a group portrait drama that truly restores the "growth history" of contemporary young people, "Youth fight" is outside the record of five girls' lives. The camera also focuses on multiple social topics such as "contemporary emotional appeal", "original family dilemma" and "Beijing drifters", and depicts the "panoramic" youth of contemporary youth in a realistic way.
in the youth of contemporary young people, "love" occupies an important position, so the play also chooses "love" as the "lead" that runs through the youth of five girls. And love will inevitably bring "negative energy." in the previous research conducted by director Zhao Baogang and his team, today's young people have generally experienced two or four times of lovelorn. "bearing a lovelorn is an important way for today's young people to grow up. Therefore, the fight for Youth also focuses on the problem of lovelorn." Xiang Zhen Zhao Cong "chives CP", love is not finished but can not help but break up, causing Xiang Zhen to indulge in the shadow of "lovelorn" unable to extricate himself; Xiang Zhen Zhuangyi embodies the most common mode of "exploratory love" among contemporary people. Both sides of love have been deeply hurt, so no one really "goes in" and is always ready to pull away. All kinds of "love modes" in the play have a heavy flavor of "real life", and the state of the characters in the play is also very consistent with the emotional appeal of contemporary young people "longing for love, serious but not taking it away". The rhythm-intensive emotional turning point reflects the drama's modern thinking of "seeking change". When the play is broken, it is not forced to be emotional or muddy, bringing the audience a sense of drama pursuit.
between Qian Beibei Shen Yan's "saving money (Shen) CP", there is always a choice question of "love or career". In the face of the two most important "issues" in youth, Qian Beibei's "entanglement" can be said to be accurate to the anxiety of contemporary young people, and has touched countless viewers with stories. The hot topic of "original family" revolves around Dinglan, and the difference in values between the two generations and the lack of communication between generations are thought-provoking. Jin Xiaoni's "clingy without self-knowledge" reflects the weakness of contemporary young people's "neglect of introspection". Yu Hui has experienced many ups and downs in Beijing, but her experience of insisting on repeated defeats and repeated "fights" is a true portrayal of countless "Beijing drifters youth". The growth experience of the five girls in the play interacts with the current social situation and promotes each other, which shows the creator's deep excavation and thinking about the times.
it is reported that in tonight's plot, both Xiang Zhen and Dinglan will face "marriage events". Frustrated Yu Hui has no choice but to "defect" Qian Beibei, while Jin Xiaoni seems to have come out of the shadow of lovelorn. After entanglement and choice, can the five girls usher in "good times"? 19:30 tonight, continue to lock Beijing Satellite TV, Oriental Satellite TV, Mango TV, iqiyi, Youku, Tencent Video members updated at 22:00 that day, non-members updated at 22:00 the next day, together with "fighting Youth", continue to experience "fighting Youth".