Red Sorghum "will be performed in Beijing, famous artists from Beijing and Tianjin will gather together to create a high-quality project

The Pingju drama "Red Sorghum" took three years from planning and project approval to rehearsal and performance, and strived to strive for excellence. Tianjin Pingju Opera Theater reached an agreement with Mo Yan to adapt "Red Sorghum" into Pingju before he won the Nobel Prize for Literature in 2012. This play uses red sorghum, which is plump, wild and full of vitality, as the image, to write the imagery and metaphor of red sorghum and sorghum wine-vigorous and vigorous, and takes the love-hate love and hatred of Jiu 'er and Shibadao as the main line. It depicts the free spirit and life bearing of the ancestors who dared to love, hate, live and die in the 1930s and 1940s. And their heroic and tragic process of fighting the invaders with their blood and lives. In the end, Jiu 'er used kaoliang wine as explosive and detonated the Japanese arms truck. The explosion of the arms truck exploded the ripe sorghum rice, and gorgeous sorghum flowers bloomed all over the sky-this was the flower of their blood and soul. The flower is also the sublimation of their spirit. This is an opera that promotes the Chinese nation's sacrifice of life, life and life, and protects its home and country. This is a opera that expresses the anti-Japanese war of resistance among other groups. This is a large-scale epic drama that praises simplicity and "green" main theme.

When talking about creating this large-scale modern Pingju opera, Zeng Zhaojuan told reporters that the play "Red Sorghum" took three years in the script stage. In terms of the cast, Tianjin Pingju Opera Theater broke its door view and invited Sun Luyang, a first-class actor of China Pingju Theater, to join. The strong alliance of artists from Beijing and Tianjin can be said to be unprecedented. The singing, music, stage beauty, lighting and costumes of this play are all from the hottest star designers in China, striving to achieve the ultimate in art in all aspects. Zeng Zhaojuan said: "This large-scale Pingju drama Red Sorghum has a very national epic temperament."

Zeng Zhaojuan also introduced that the main creator of "Red Sorghum" has gathered the hottest star team in China, striving to achieve the ultimate goal of integrating the domestic first-class creative team in all aspects. Famous playwright Jia Lu serves as the screenwriter, and famous director Zhang Manjun serves as the director. The singing, music, stage beauty, costume styling, etc. are all first-class designers in the country. The original literary work of "Red Sorghum" is full of a strong sense of life. Its description of primitive wildness, simplicity and powerful vitality is extremely dramatic and is favored by various performing art forms. In addition to the movie version and TV series version, dance dramas, Shandong local Maoqiang operas and other adaptations of the same name have been made. As a type of drama in the northern region, Pingju has always been known for being easy to understand, reflecting life, and being down-to-earth. The creation of the Pingju opera "Red Sorghum" strives to fully express the attributes of the stage from a literary perspective with the concept of poetic drama. At the same time, it is rooted in the traditional art of Pingju and uses the simple and powerful characteristics of the drama to enrich its unique style. This play uses hypothetical techniques to highlight and strengthen the poetry of the stage, exaggerate the emotional tension of the characters, and externalize the freedom of the characters 'souls to move. This is the main style of the play. At the same time, it reflects the sense of homeland of the Chinese nation when it resisted foreign humiliation and aggression, and it exudes the tragic beauty and heroic soul of life towards death. The whole play is full of poetic and symbolic meaning.

The stage space of "Red Sorghum" is fully reflected by the sorghum leaves cast of steel and a highly summarized land. A series of themes such as "home","country","love" and "hatred" are depicted in the intensity of the gathering. The graceful vocabulary of steel sorghum leaves will perfectly express the rigid temperament of the people living in this land. Moreover, this rigidity also symbolizes the spirit of our characters and the spirit of the Chinese nation. Director Zhang Manjun abandons naturalistic physical expression in the handling of scenes and uses the body language of modern dance to express and render some specific scenes, such as wild intercourse, live cuts, and military vehicle bombing, with contrasting colors on the lights. The temperament of the characters and the impact of the scenes are "red and passionate, the magnificent death is magnificent, and the fierce love is fierce". The Pingju drama "Red Sorghum" deliberately focuses the focus of the drama on the protagonist "Jiuer" character, gathering the protagonist, vividly highlighting the nation's sense of struggle, allowing the stage to vividly find a fulcrum for expression. This became an excellent practice of artistic ontology.