It is exposed that Wang Fei's theme song "to Youth" Zhao Wei: on call

Hold a reunion

"to our lost youth"

strong > New Express / strong > the movie "to our lost Youth" (hereinafter referred to as "to Youth") held an alumni reunion youth party in Beijing yesterday. Director Zhao Wei attended with a group of stars, and eleven post-80s stars collectively faced the media for the first time. On that day, coinciding with Zhao Wei's birthday, Zhao Wei, who changed her identity to director Zhao Wei, drank beer on the spot and admitted that she envied the newcomer & ldquo; was real & rdquo;, revealed that Faye Wong was on call to the theme song & ldquo; & rdquo;.

strong > casting insider: not knowing how to act is also an advantage / strong >

the film's first public appearance since the start of filming, the production of the special revealed the shooting atmosphere of gossip and facial mask in the girls' dormitory and bickering and fighting in the boys' dormitory. Previously, ldquo; Wei Girl & rdquo; Yang Zishan, Jiang Shuying, Zhang Yao and Liu Yasser finally showed their true appearance. Director Zhao Wei said that the disadvantage of non-professional actors and newcomers is their lack of experience, lack of light, position and experience, but the advantage of non-professional actors is that they are particularly incapable of acting. & ldquo; although sometimes they are so young as to lack common sense, their performance is very sincere. Yeah, they're serious. & rdquo; Zhao Wei revealed that she was a fat girl when she first met Huang Ming, but the other person said she was very willing to lose weight and successfully lose weight within a month. As for Han Geng, he did not come from a professional background, but Zhao Wei revealed that he constantly surprised himself during the performance. & ldquo; I envy them for having such a good opportunity. I mean, this film is really very popular. I'm not every potter praises his pot, but really, this theme and this book are great. & rdquo;

strong > adapt the plot: & ldquo; is gone & rdquo; is the theme / strong >

Zhao Wei's debut film makes Li Gong, a well-known literary screenwriter, add a lot of real social content. & ldquo; strengthens the cruelty and profundity of the film, because, after all, we all go through youth, and we can't help but reflect on it. & rdquo; Zhao Wei also said that the film is not only an idol drama, but also the nostalgia, & ldquo; is gone & rdquo; is the theme. She said that producer Guan Jinpeng gave a lot of professional guidance. Teacher ldquo; Guan once told me that the first film of lsquo; does not represent the real you. You really want to see the second movie. & rsquo; I also send this sentence to my actors today. I hope we can have a good future, whether we are actors or directors. & rdquo; Zhao Wei mentioned on Weibo that Wang Fei might be asked for help with the music of the film. Yesterday Zhao Wei said that as the late work was still going on, music and other things had not yet been confirmed, but she also said generously & ldquo; Faye Wong is on call & rdquo;.

strong > Zhao Youting: the withdrawn pride of Taiwan's youth / strong >

When Zhao Youting plays a young man from the mainland in the 1990s, Zhao Youting is asked if he has done his homework. He also confesses that the role is actually very far away from him. & ldquo;, we set this person to be from Fujian, and it doesn't matter if Mandarin is not standard. I wear a wig, feel very feminine but very handsome, the feeling is still very in place. I did not integrate my youth, my cultural background and personal youth are still far away from this role. Zhao Wei said that I am a lonely and proud person, I said you have seen, then I will try my best to play this point & rdquo;.

strong > Han Geng: it all depends on the inner play / strong >

speaking of the shooting of the film, Han Geng also said bluntly that the dormitory scene had a great impact on him: & ldquo; our dormitory was even more chaotic than this. When I studied professional folk dance, I didn't wash my clothes and socks, and I could stand up even if I put my socks on the ground. I used to joke about how dirty the socks were. When I came back from practice, I threw my socks into the sky and could stick to the ceiling. When I raised my hand the next day, I could still take it off. & rdquo; he also hopes to change his identity. The most difficult thing to do is to play some inner plays. & ldquo; there is still a big difference between my feelings and the feelings in the play. I don't want you to see the singer Han Geng. I hope to see the actor Han Geng & rdquo;.

strong > people say / strong >

strong > Director Zhao & ldquo; True temperament & rdquo;:“ she is so lovely and heroic & rdquo; / strong >

● Zhao Youting: I was a little scared when I heard the director talk about the script on the first day. Later, I found that the director was quite funny. Her personal charm and characteristics are very strong, whether she is an actress or director, she is so lovely and heroic.

● Huang Ming: the way the director wants to cry is different from what everyone understands and what I can do. I want to cry silently, and she wants to cry all the time. I cried more than 10 times that time until I sat on the floor and couldn't get up. I said I wouldn't cry like this, and the director talked to me for half an hour, and then asked me to cry all over again.

● Han Geng: Sammo Hung's way of directing is that men are very tough guys. Zhao Wei's play is very distracted. Starting from the heart, you can learn different things.