White Deer Plains pays attention to detail Director: eat at dusk, aerial photography is not hypocritical.
the epic drama king "Bai Lu Yuan", which is popular in the Happiness Theater of Jiangsu Satellite TV, has attracted the attention of the audience by virtue of its strong chronological characteristics and character shaping. It is adapted from the TV version of Chen Zhong's novel of the same name. It is obviously fuller in terms of space and role restoration. The large wheat fields in the lens and the unique scenery of Shaanxi seem to have the charm of film texture, while the details of the production process of "Bailuyuan Oil Noodle" and the seal cutting of stone steles in the ancestral temple all show the ingenuity of the crew. In the play, the expression of the scene and the production of Wudao are amazing, and director Liu Jin is even more careful to accurately grasp the time and atmosphere of eating. Lenses, lighting, props production and so on highlight the charm of the times. People can't help but like the crew of "White Deer Plains".
< strong > the TV series "Bai Lu Yuan" shows the texture of film-grade pictures. Director Liu Jin's "our aerial Photography is not hypocritical" < / strong >
TV series "Bai Lu Yuan" shows the 50-year history of transformation of the Weihe Plain at the beginning of the 20th century. Taking the fate of the characters of the two families of Bailu for three generations as the main line, this paper describes the disputes of gratitude and resentment in the changes of the times in Bailuyuan. The TV series got off to a grand start: the yellow land was covered with snow, the carriage ran on the vast plain, and the memorial archway stood between the vast sky and earth. Coupled with the rolling waves of wheat during the harvest season and the magnificent scene of wheat cutting, people can't help but have a distinct impression of the scenery of Shaanxi. The magnificent and magnificent scene made many viewers praise "atmosphere", "exquisite" and "picturesque". "now the level of TV drama production is so high, it is entirely the texture of the film!"
the scene of the TV series "Bailuyuan" is shown through the joint efforts of the crew. In the view of the creator, in order to reproduce the spiritual connotation of "Bailuyuan", the first thing is to perfectly present the regional characteristics of Bailuyuan and Boda Guanzhong. Director Liu Jin introduced the shooting and said, "because the details of 'Bai Lu Yuan' are thick and heavy, and there are many things to express, so it needs a grand (technique) to express." In fact, aerial photography in other plays is sometimes a little hypocritical, but this part is different, it has to have a broad sense of land. Huang Wei, director of photography, said that they established the shooting style with the idea of explaining the openness of these people and the atmosphere of Shaanxi people. It is reported that in the setting of the venue, the shooting team of "Bai Lu Yuan" started from Lantian, Shaanxi Province, returned to Lantian through Sanyuan, Nanjing, Shanghai, Heyang, Jincheng, and Taigu, and finally returned to Beijing, completing 10 large-scale domestic transitions in the whole group one after another. Thus it can be seen that the production of Bailuyuan is striving for perfection.
< strong > "Bailuyuan Oil spilled Noodles" has become an online celebrity. Even the "noodle eaters" are invited locally to < / strong >
the TV series "Bailuyuan" in addition to the epic shock scene, the production process of three meals a day highlights local characteristics. In the play, Bai Jiaxuan's wife, Xiancao, captured the heart of her husband's family by virtue of his "oil-splashed noodles". In the play, Shaanxi flavor is restored from rolling noodles to putting spicy seeds in the pot. As a result, "Bailu crude oil spilled noodles" has become an "online celebrity food". Netizens praised that "Qin Hailu made a bowl of oil-splashed noodles. Hot rapeseed oil poured on the chopped onions and chili peppers on the belts. This is the Bailuyuan on the tip of the tongue."
in fact, taking a closer look at Shaanxi flavor, Shaanxi has the so-called "eight monsters". In detail, there are many categories, all of which are habits in the bones of the older generation of Shaanxi people. For example, the house is built on one side, the girls in the village are not outside, the bench does not squat, a dish is spilled with hot oil, and there is a strange thing called "noodles as wide as a belt." What we are talking about is the width of this bowl of oil-splashed noodles in Bailuyuan. In addition to perfectly restoring the characteristics of Shaanxi, the group performances of "Noodle-eating masses" in "Bailuyuan" are all local. Director Liu Jin said that "Bailuyuan" should rely on this mass scene and rely on the masses. I am looking for local farmers because the simplicity of their faces is different from the general one. No wonder the authentic flavor of Shaanxi is so rich!
< strong > Fu Hua Dao strives for perfection. Director Liu Jin reveals the secret of "eating at Twilight" < / strong >
the TV series "Bai Lu Yuan" strives for perfection in terms of clothing, makeup, props, and so on. The art department entered the stage of landscape survey and collection of props 10 months ahead of schedule, and the unqualified scene layout was overturned and redone, and several cars were collected just for old farm tools and spinning wheels. Many of the props in the play have a sense of age. Director Liu Jin said, "We have laid down such a principle that everything should be realistic." That's why some crew made eight carriages exactly according to that time. Like that flower tweaking machine, you found it in a museum after looking for a lot of places.in addition to the realism of Fu Hua Tao, the details of the actress's walking around her feet and squatting at dinner are all in line with the situation at that time. There are also many evening plays in the play, such as finishing work in the evening, chatting on the Kang, eating noodles at the door, and so on. Director Liu Jin said, "in those days, because farmers and rural people had no electricity, they basically ate in the evening, and then they went to bed after dark. So this play has a large number of evening plays, this is different from the previous plays."