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Paint the East with pen and ink! Zhao Yazhi's blockbuster of national style and art has been released, and the cheongsam is integrated with ink and ink to show the oriental style.

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Jiuzhi Network News Yesterday, Zhao Yazhi released a set of new national style themed art portraits on social platforms. The whole set of works perfectly blends traditional cheo...

Jiuzhi Network News Yesterday, Zhao Yazhi released a set of new national style themed art portraits on social platforms. The whole set of works perfectly blends traditional cheongsam and ink painting art. Against a pure royal blue background, it outlines her unique gentle classical temperament. After the release, she quickly received a large number of netizens 'likes and messages.
The whole set of styles is centered on the new Chinese-style improved cheongsam. The top adopts a light blue background and is full of embroidered mountains and rivers. The stitches are delicate and elegant. The neckline and shoulder lines are matched with transparent tulle streamers, which brings a graceful and fairy aura when walking; The bottom is matched with the same color pleated long skirt weakens the sense of restraint of the traditional cheongsam and combines classical charm with relaxation and comfort. The simple water-drop-shaped diamond earrings are the only accessory that do not steal the soft aura of the character itself, but are simple and elegant.
The biggest highlight of this photo is the creative ink brushwork special effects. Strong and bright brushstrokes of yellow, orange, purple and blue pigments surround the picture, and smooth and freehand arc-shaped ink traces surround Zhao Yazhi's body. Some turn into auspicious clouds around the body, and some are laid out in front of him to simulate the faint texture of painting. The interweaving of reality breaks the monotony of static portraits and integrates the flexible beauty of freehand Chinese painting into portrait shooting.
Each set of shots has its own charm, vividly showing the national style and artistic conception. In the close-up, Zhao Yazhi holds a thin brush with a gentle smile on her face, and her eyes are calm and soft, as if immersed in the creation of calligraphy and painting; in the panoramic picture, she writes a pen in one hand and holds a paint tray in the other, with a calm and elegant posture; there is also a lens stretching and raising her hand., the arms are gently raised, and the ink lines behind her stretch with the movement, like flying clouds, giving a sense of atmosphere. The pure and deep royal blue background is clean and free of debris, maximizing the prominent characters and ink colors, and the contrasting color of cold and warm colors has a strong visual impact.
As a classic representative of Oriental women in the hearts of the public, Zhao Yazhi has always been deeply bound to the aesthetics of national style for many years. Whether it is the classic White Lady screen image or the shapes of various national style activities, it perfectly interprets the beauty of Chinese gentleness. This group of ink-wash cheongsam blockbusters break out of the regular ancient style photo routines and combine calligraphy and painting creation, traditional cheongsam, and modern portrait photography. They not only retain the subtle aesthetic feeling of oriental classics, but also are full of modern artistic creativity.
After reading the photo, many netizens left comments and lamented: "People who truly carve the national style into their bones wear a cheongsam and a brush, gentle and atmospheric.""Ink and wash with cheongsam are too great, and the temperament accumulated over time is irreplaceable." Declining the aura of her screen role, Zhao Yazhi used pen and ink as a companion to show the unique romance and elegance of traditional Chinese aesthetics to the public with a set of thoughtful national art blockbusters.

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