Jiang Wen's new film "You Can Go! You go!" Fixed gear 725 The more Northeast it is, the more global it is

After seven years of absence, Director Jiang Wen returns. The new film "You Can Go! You go!" Announced that the date will be July 25, midsummer, and we will see Lao Jiang again. The first trailer for today's film was released. Ma Li, Yu Hewei, Yu Ailei, He Saifei, Ding Zhicheng, Xin Zhilei, Lei Jiayin, Ge You, Wang Chuanjun, Hu Ge, and Yen Zidan appeared in turn (according to the order of appearance of the characters). Jiang Wen saved the game and the All-Stars took part, adding a spicy flavor to the lively summer season. This is a legendary adventure of a father and son, and it is also a hit-off between two ambitious men. From Shenyang to the United States, from the ages of 3 to 17, playing the piano is better than learning scriptures. The eighty-eight keys are more difficult than eighty-one. The father and son have no distractions and just move forward. The two of them have made the artistic elite of the American palace look at each other with their bare hands. Come to learn from the scriptures? Make a fuss in heaven! You can do it, you can do it!

In the final preview,"Crazy Dad" Jiang Wen has instant noodles and curly hair and speaks Northeastern dialect. The hormone tough guy has transformed into a Northeastern man and dreams of returning to the fashion of the 1980s. The actor of the talented son also revealed his true appearance: Jiang Wen selected three piano boys, with Zhang Chenghao (childhood), Wang Shuolong (teenager), and Lu Yi (teenager) playing Lang Lang's different stages of growth. The three young actors are quite talented in piano skills. All the wonderful piano performances in the film are played live without delay. Shen Yun is the familiar "ginger flavor". Lang Guoren repeatedly asked,"What's on the ceiling?" It was Jiang Wen's arrogance that never broke Loulan's reputation. He was confident that he could go where others couldn't; between father and son,"You can do it!" "You go!" The shouts seemed to be encouraging, but also seemed to be competing. On the fixed poster, a family of three sat around the piano, accompanying the children to practice selflessly. A ray of light shone from the gap, as if the whole world was waving to them: Use the piano as an paddle and venture with courage!

The film is all-star, and no one can "escape" Jiang Wen's magic-like fantasy of transformation: all single-person posters return to the 1980s, just in line with the saying,"Pop is a circle", the more retro, the more fashionable! Lei Jiayin SpongeBob has a square skull, Wang Chuanjun is dead punk black and long, and his old partner Ge You Einstein has an explosive head... Jiang Wen has a magic power that can always break the audience's existing understanding of actors and sculpt them into something they have never seen before. It makes people suddenly remember that the white uniforms of drunkenness and gold, the rippling red fish shoes, and the riding clothes of happy gratitude and revenge... Jiang Wen's screen classics are that the dialogue becomes more interesting the more you chew, the music stirs up DNA as soon as you listen, and even the actor's style It is a vivid appearance imprinted in the history of film, and it will never be forgotten.

Jiang Wen once said that his films need to have some accent: the 60,000-word "Ferocious Animals" was expanded by Jiang Wen into the 90,000-word script "The Sunny Days"; from "Heroic Yin" to "Evil Does Not Overpower the Right", Jiang's adaptation made the original work impossible for the party to spoil it. Just as Jiang Wen repeatedly emphasized that "what I shoot is what I see", it will never make people guess and always make people curious about what the world in Jiang Wen's eyes looks like. This is the style and charm of "Jiang Wen's Movies".

Can someone who is understood by the audience be called Jiang Wen? "You can! You go!" It was Jiang Wen's announcement again. Jiang Wen's movie is not a statement, but an exclamation point. No matter what the audience expects, Jiang Wen will only subvert your expectations. In the movie, the father and son embrace beliefs that ordinary people cannot understand and vow to see "What's on the ceiling?" This question not only runs through the previews, but also points directly to Jiang Wen's creative core: Jiang Wen's spiritual world is hidden "on the ceiling", where there is Ma Xiaojun pacing, crazy mother reciting poetry, and Li Tianran running... Jiang Wen's preference for the ceiling may stem from his curiosity and fascination with the unknown challenges. Use comedy to deconstruct serious classical music, and use absurdity to annotate the legendary adventure history. What's on the ceiling? On July 25, let Jiang Wen lead the audience to break through and go up and have a look!