The unchanging acting acting skills of idol dramas finally made Qianlong the most unemperor.

speaking of Huo Jianhua, the most impressive is the melancholy producer in the Dolphin Bay Lovers, or the melancholy male master in the 100% daughter. His recent impressive work is also the melancholy teacher in the Thousand bones of Flowers. It seems that Huo Jianhua has never left the framework of a melancholy idol in his sixteen years of debut.

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< strong > the transformation failed. In the golden age of Taiwan idol drama from Taiwan idol drama to mainland idol drama < / strong >

Taiwan idol drama, Huo Jianhua is also the darling of Taiwan opera. His handsome appearance, melancholy temperament, and praiseworthy voluptuous acting skills are not easy to stand out in the era of the explosion of Taiwan opera, but after so many years, Huo Jianhua is still melancholy and still an idol.

's debut for 16 years is not short for an actor. Huo Jianhua, a former idol actor, has also sought transformation several times, from "the first in the World" to "Immortal Sword 3" and from "Battle of Changsha" to "A Thousand bones of Flowers." Huo Jianhua has contributed a lot of works, but he still acts like an idol drama.

Xu Changqing

Gu Qingming

Baizi painting

among them, the excellent appearance becomes a disadvantage and becomes a directional impression, but more often, there is still not enough self-improvement, an acting skill comes to an end, all the characters have deep eyes and frowns, handsome and melancholy is a burden that he has never put aside.

the deep melancholy of frowning is the image that comes to mind when Huo Jianhua is mentioned. He is good-looking and good-looking, but it greatly limits the widening of his acting path and the improvement of his acting skills.

in addition to the hardware conditions, the selection of soft power has also become a stumbling block to Huo Jianhua's promotion. The selection of the script is inseparable from the perfect human setting of the romance man, appearing in the vision of the audience, always handsome, good-looking, walking with melancholy aroma, what acting skills are not acting, are covered up by the image that there is no breakthrough.

acting in ancient costume is a frown and melancholy costume idol drama. Acting in modern times is a modern idol drama with a frown and melancholy. Acting in the Anti-Japanese War is a frowning and melancholy anti-Japanese idol drama. Can bring all the drama into idol drama, no wonder Ruyi's Royal Love in the Palace, a group of acting masters can not bring one of him.

Qianlong

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< strong > the acting skill of idol drama is a disappointment to the good characters < / strong >

"Ruyi's Royal Love in the Palace" shows full momentum of palace fighting from production to publicity. The cast is luxurious, Zhou Xun plays the leading role, Dong Jie plays the role of bad woman, and Wu Junmei Chen Chong continues Zhen Huan's fighting style. Qianlong is also seen as a challenge to Huo Jianhua's transformation.

obviously, the transformation has failed again. Because Huo Jianhua contributed Qianlong, who is by far the most unlike the emperor.

Yongzheng, a guest star of Zhang Fengyi, is arbitrary and bossy, with a panoramic view of the emperor's aura.

" Ruyi's Royal Love in the Palace

Zhang Fengyi plays Yongzheng

in contrast to Huo Jianhua's Qianlong, Prince Hongli did not have the slightest arrogance and aristocratic flavor, like a neighbor who indulged in his first love.

Hongli selected imperial concubine

when the emperor still reveals gentleness everywhere, there is no imperial spirit of tit-for-tat and decisiveness, nor does it show the arrogance and heart of the royal children.

Huo Jianhua's Qianlong is described as mediocre in one word. In his performance, Qianlong could not find the temperament that Qianlong should have, the appearance of an emperor, an emperor who was not burdened by the harem, was not bound by the former dynasty, and was chic and happy.

plays emperors with their own characteristics before they are called emperors-Zhang Tielin plays Qianlong without anger and dignity, Zhang Guoli plays Kangxi, humorous and generous, and Chen Jianbin plays Yongzheng, serious, indifferent and affectionate.

next door, the Qianlong Emperor, played by teacher Nie Yuan, is somewhat naughty, humorous, arrogant, self-willed, affectionate and inconsistent, properly handling the romance, responsibility, helplessness and small temper of Emperor Qianlong, making an emperor's sadness and not suing for humanity, and playing a man from unlove to love.

Nie Yuan plays Qianlong

while Hongli in Ruyi's Royal Love in the Palace has no sense of superiority in performance and shows no excellence. How on earth did such a prince stand out, win the love of Yongzheng, and successfully inherit the throne?

is also the cp of the Empress. Nie Yuan plays against Shiman, a man who is hurt and pretentious, and the injured man seeks comfort in the arms of a woman. He plays a couple who appear to be in love, but actually have different thoughts and different dreams in the same bed.

"Ruyi's Royal Love in the Palace", Zhou Xun and Huo Jianhua, who are really in love with Emperor Qianlong, act opposite each other. They don't look like a couple. Huo Jianhua can't catch the small details given by Zhou Xun, and they have no sense of CP. The combination of dragging and dragging is not like falling in love, but it is a bit like the taste of mother and son.

Emperor Qianlong pretended to spoil Ah Li, and a large number of audiences shouted" too hot ". This proper idol drama is not only fatal in sight, but not for an emperor to spoil the palace maid. It is a flirtatious man who mainly flirts with vicious girls, or a man who is stubborn and full of performance traces.

is also a play sitting on the thigh. Teacher Nie Yuan next door brings his own imperial aura, coupled with the mistress Jiao Xiaocai, the emperor reluctantly puts down his posture to flirt with the imperial concubine, holding it and flirting at the same time.

Huo Jianhua have acting skills, yes! But the acting skills of idol plays are not suitable for all roles, at least not for emperors.

the emperor should have the airs of an emperor, hold it, be ruthless, and look like a king of a country, while Huo Jianhua's Qianlong, unlike the emperor, has become the hero of ancient costume idol drama.

, so don't force yourself if you really can't. There are still people who like to act in idol dramas.

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< strong > can't let go of idol baggage, so he will never break through < / strong >

Huo Jianhua's acting skills are more like ornaments than durable goods.

his roles are almost all perfect double-tall people who set up idolized actors, stereotyped, no new ideas are one of them, the roles are highly repetitive, the acting skills are low, and it is difficult to break through.

in the author's impression, except for the "dirty and messy" image in "Rescue against the Times", it is almost impossible to pick out his image except for the perfect man, and the idol burden has been following invisibly.

changing his image is only the first step to break through the idol baggage. Wang Chuanjun, who restores cancer patients in God of Medicine, and Zhang Yixing, who explodes his head and rags in a good show, all broke through the shackles of idol baggage from the outermost layer, and they were recognized because of their huge contrast and lifelike acting skills.

is not the only way to make a breakthrough, nor is it only to act ugly to leave a mark. Jin Dong's Minglou, triple identity in the camouflage, has become a big brother that many people can't let go. Qin Lan's Fucha Rongyin, gentle and moving, dignified and generous, with a clear distinction between love and hate, has become the white moonlight in the hearts of many people; er Qing, played by Su Qing, has become a rare bad woman after Mammy.

they do not pretend to be ugly, but they all become roles in the works. Only by letting go of themselves can they become roles.

Palace fighting is not an idol drama, and the emperor has never been a gentle and kind-hearted male idol drama. The emperor has to be resourceful, wants to linger in the harem and is ruthless. Obviously, Huo Jianhua played an emperor in the way of idol drama. In the end, the emperor is not like the emperor, and the transformation is not like the transformation.

the most criticized Ruyi's Royal Love in the Palace is Fu Hua Dao. Huo Jianhua is a prop that suddenly appears in the middle of a group of acting skills. It can't move.