Mao Yu of the State Administration of Radio, Film and Television: Feelings, innovation, and precision awareness are the foundation for the development of TV dramas

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Against the background of the development of the times, the guests expressed their opinions from multiple perspectives such as professional division of labor and market operation, reviewed, sorted out, communicated, and collided, and new ideas continued to emerge: Rao Shuguang, Secretary-General of China Film Association and President of China Film and Television Critics Society, Hu Yaozhi, Dean of Beijing Film Academy, Yin Hong, Executive Vice President of School of Journalism and Communication, Tsinghua University, Zheng Jianfeng, Assistant to the President of Wanda Cultural Industry Group and Deputy General Manager of Wanda Film and Television, and film critic Li Xingwen participated...

original title Mao Yu: since the beginning of this year, the double stars of revolutionary history and warm realism have shined

this film and TV series industrialization development forum is one of the eight forums of the sixth Shandong Cultural Industry Expo, and it is also an important platform to give full play to the advantages of Shandong's cultural resources and show the new achievements of the film and television industry. It provides a broad space for cooperation in promoting film and television cultural exchanges, and has very important practical significance in promoting the all-round and healthy development of the film and television industry in the future.

Mao Yu

Director of the Television Department of the State Administration of Press, publication, Radio, Film and Television delivered a speech. He said that for a long time, Chinese TV dramas have maintained a steady production of about 15000 episodes a year, with constantly enriching creative styles, constantly updating creative techniques, and expanding their influence. According to statistics, the audience of Chinese TV dramas is about 1.28 billion, the audience of online video and mobile video users reaches 909 million, TV, PC and mobile phone users account for more than 50% of TV dramas, and the audience of TV series composite channels reaches 1.1 billion. The market is huge, TV dramas are still the largest among all programs broadcast, and TV dramas are always the main demand of mass culture consumption.

Mao Yu believes that at present, China's TV dramas are in a critical period from quantity growth to quality improvement. under the deployment of the leaders of the propaganda Department of the Communist Party of China Central Committee and the General Administration, the vast number of TV drama workers have made joint efforts to constantly push through the old and produce new and excellent works, and the influence of excellent works has been increasing. Since the beginning of this year, revolutionary historical works that show the beauty of faith and sublimity, such as "38th Line", "Marshal Peng Dehuai", "Haitang still" and "decryption" have sparkled on the screen. There are also "Ode to Joy", "good Mr.", "Little parting", "Police Flowers and Police Dogs" and other plays that reflect contemporary life, warm and bright realism. Many of these works are paid silently by Shandong radio and television people and TV drama workers. The emotional consciousness, innovative consciousness and Seiko consciousness contained in these excellent works are the foundation and soul of the development of TV series.

the summit forum is mainly divided into two parts: the film industrialization development forum and the TV series industrialization development forum. Under the background of the development of the times, from the perspectives of professional division of labor and market operation, guests expressed their own views, reviewed, combed, exchanged and collided, and new ideas continued to emerge:

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the topic of the TV series forum is Chinese TV series" Craftsman Spirit ": the further deepening of realism. Guests present included Yan Jiangang, vice chairman and secretary-general of the TV series director working committee of China Radio and Television Association, Yu Hong, vice dean of the School of Journalism and Communication of Peking University, Jinliang, general manager of Shandong Film and Television Media Group and chairman of Shandong Film and Television production Co., Ltd. Jiang Yunfeng, chairman of Shiyang Media and founder of TV series Eagle Eye. Starting from Lu Opera, everyone discussed the topics such as "fast" and "slow" in TV drama production, "more" and "less" in TV drama production, "big" and "small" in TV drama projects, and explored the era significance of "craftsman spirit" at a deeper level. to explore a way out for the development of "new national opera".

Edit: nancy