The movie "East Pole Island" won praise for its Shanghai roadshow "Three strokes are still shocking"

The film "East Pole Island" co-directed by Guan Hu and Fei Zhenxiang was released for three days. With its majestic underwater wonders and the stirring blood of China, it set off a movie-watching craze for audiences. So far, the ticket solicitation score is 9.7 and the cat's eye score is 9.5. Yesterday, director Guan Hu, producer and chief producer Liang Jing, and actors Zhu Yilong and Wu Lei appeared on the Shanghai road show to have in-depth exchanges and interactions with the audience. From the shocking audio-visual feast to the fearless struggle and brilliance of humanity of China fishermen, this transmission of truth and love has made more and more viewers remember the once sunken truth through the film. Some viewers shouted excitedly,"The more people erase it! The more you need to remember! I hope that movies will sail to the world like spiritual business cards." The creators said that Western films have continued to export culture for many years, and they also hope that "The Arctic Island" can become a carrier for the cultural export of China films."We will do our best to let the world see this film, so that the fishermen of Zhoushan 83 years ago The great feat of the fishermen will be known to more people, and the blood and kindness of the China people will always be remembered."

The atmosphere at the scene was warm after the screening. The kindness and courage of the China fishermen in the film touched countless audiences. From children to elders, tears filled their eyes with the same reverence for history and empathy for the nation. Some viewers were excited,"It's not just a movie, but also a question of history and a hymn to the glory of human nature!" Some viewers lamented: "The most rare thing about movies is that they show the living conditions and spiritual background of ordinary people in that era to the world. This is the unique blood of China people!" Some viewers at the scene also enthusiastically looked forward to the film's release overseas."This story is worth promoting globally!" There were also international student audiences sharing that they had established a group with international student friends studying abroad, actively shared the historical background of the film, and tried their best to promote it on international social media platforms."Although we encountered resistance in the process, we have been overcoming it. The younger generation is to firmly grasp the initiative of historical narrative in the battle of international public opinion!"

The film is co-directed by Guan Hu and Fei Zhenxiang, written by Chen Shu, Dong Runnian, Zhang Ji and Fei Zhenxiang, Liang Jing is the producer and chief producer, Zhu Yilong, Wu Lei and Ni Ni are the leading stars, and Yang Haoyu, Chen Minghao, Ni Dahong, William Franklin Miller, Li Jiuxiao, Wang Yiquan and other actors are starring and are currently in hot screening.

Guan Hu and his creative team took underwater "scientific research" filming. Liang Jing shared the sad and unforgettable scenes of Lao Wu's funeral

Zhu Yilong and Wu Lei "depend on each other" inside and outside the play when they accompany each other in the water

In the film, the shocking power of the underwater wonders runs through. When the giant ship sank, a huge siphon whirlpool suddenly formed, dragging the wreckage of the ship and the person who fell into the water into the deep sea. The immersive feeling of suffocation made the audience feel as if they fell into the abyss with the waves. They still had lingering fear until the whirlpool subsided. Some viewers shouted "It's so shocking! I feel like the waves from the East Pole Island hit my face." Such a real effect is a hard-core breakthrough achieved by the main creative team with a down-to-earth "local method". In this regard, Director Guan Hu shared: "100% of the actors 'underwater scenes are real shots. There is no such technology in the world. We still want to use our down-to-earth methods to develop underwater industrial real shots." In order to make the actors more immersive during filming, the crew also created a unique method to create a siphon effect."We borrowed 16 speedboats and removed the engines of the speedboats to create a siphon scene. It was safe and had a good effect." When the camera turned from the turmoil of the deep sea to the land on the island, the emotional impact of Lao Wu (played by Ni Dahong)'s funeral scene made Liang Jing unforgettable for the behind-the-scenes shooting at that time."At that time, the director and photographer set two difficulties, one is space and the other is time. Choosing the shooting location on the ridge is not only difficult to schedule, but also a great test for the actors 'performance; the time is even more demanding. You can only shoot half an hour before sunset every day, and you can only shoot for more than ten minutes a day. It took two days to complete the whole scene." What touched her the most was the actor's dedication: "When the last scene was over, she saw Ni Ni standing there and unable to get out. She was really angry. From the actor's perspective, she could feel her total dedication; deeper, I am angry for the kind people, the fathers and villagers who sacrificed their lives to save people. They tried everything, but in the end they couldn't even have the right to say goodbye properly. I will never forget this grief and anger for a long time."

Equally touching is the underwater escape scene. Ah Dang (Wu Lei) is trapped in the sunken cabin, looking for an exit between the collapsing and falling hull. It is not until Ah Yi (Zhu Yilong) comes to the rescue and the two of them surface together that the audience "dares to breathe". Zhu Yilong shared the shooting details: "That scene was a test of early training and the scene was quite long. Especially since Wu Lei had to go down and put the props on his body to prepare. I was on standby at the other end. When the instructions were ready to go into the water, I would hurry up and swim over as fast as possible and remove what was pressing on him. I spent nearly 2 minutes underwater. When I floated up with my brother in my arms, I could feel his diaphragm twitching." In the play, Ah Yi and Ah Dang grew up living on each other, and this bond also extended outside the play when filming underwater. Wu Lei shared: "When we were training underwater, we were partners with each other. In fact, we were rescuing each other. There was a complete system to protect each other whatever happened to each other and what gestures happened." This tacit understanding also made the emotions between the characters more Real and moving.

Tears filled my eyes and my blood was boiling! The student audience was excited: the fig leaf that covers up the truth of history should be torn down!

The audience took the whole family to watch the movie and shouted,"The stamina is too strong": it should be seen by the whole world!

The atmosphere at the event was warm, and many viewers excitedly said that they had viewed the film for the second or third time, but they were still deeply moved by the shocking scenes. A junior high school student said emotionally: "As students and as members of the times, we should tear down those fig leaves that cover up the truth of history! After watching the movie, I feel very meaningful! This history should be known to the whole world." Some viewers shed tears like rain: "The film not only shows fishermen, but also condenses the spirit of the people during the Anti-Japanese War. Especially when I saw the clip of Mr. Chen shouting "Red River" angrily when he was burning in flames, tears fell instantly. Every character in the film goes from enduring for survival to finally being unable to endure it any longer. He overcomes his physiological instinct and chooses to rescue, and adheres to kindness and courage. This kind of power is even more passionate." As Liang Jing said, the fishermen's choice is a kind instinct, which is the background of us China people-simple and kind. Real courage is not to use violence to control violence, but the instinct to still choose to stick to the inner justice and kindness after seeing darkness.

After watching the movie, an audience member also shouted,"The stamina is too strong":"I keep echoing in my mind what Mr. Chen shouted when he said when the fire burned him,'You can't kneel, you can't get up if you kneel for too long.' Although some people say that this story should be told to foreigners, if we don't know this history ourselves and our children don't know it, how can we force others to understand it? I hope the whole world will see this history." From the stormy waves on the East Pole Island to the fishermen's hands holding the oars, what "East Pole Island" shows has never been just a history of being salvaged, but also a spiritual code engraved in the bones and blood of a nation. Those ordinary people who choose to be kind in desperate situations, and those protesters who can't bear to protect their lives are the most vivid appearance of China people, and they are the most invincible bloodiness of China people! Eighty-three years ago, China fishermen used courage and righteousness to support lives one after another. Today, we will take this blood and responsibility to let history illuminate the road ahead and let the truth never sink!

The film "East Pole Island" is co-directed by Guan Hu and Fei Zhenxiang, written by Chen Shu, Dong Runnian, Zhang Ji and Fei Zhenxiang, Liang Jing is the producer and chief producer, and Zhu Yilong, Wu Lei and Ni Ni are the leading stars. Yang Haoyu, Chen Minghao, Ni Dahong, William Franklin Miller, Li Jiuxiao, Wang Yiquan and other actors are starred. It is produced by Beijing Seven Impression Culture Co., Ltd., Shanghai Taoxiao Film and Television Culture Co., Ltd., Zhujiang Film Group Co., Ltd., Beijing Light Film Co., Ltd., China Film Industry Group Co., Ltd., Qi Impression (Zhoushan) Film and Television Media Co., Ltd., Jiangxi Film Group Co., Ltd., Qi Impression (Wuxi) Film and Television Media Co., Ltd., Shaanxi Wentou Film Investment Management Co., Ltd., Beijing Jingxi Cultural Tourism Co., Ltd., Changying Group Co., Ltd., Youth Light (Chengdu) Film Co., Ltd., Bi Film (Xiamen) Co., Ltd., Shanghai Film (Group) Co., Ltd., Seven Impression (Haining) Film and Television Media Co., Ltd., Jiangxi Xinghe Film Co., Ltd., Qingdao Tongruixin Investment Partnership (Limited Partnership), Shandong Darunmin Life Plaza Co., Ltd., Beijing Langyun Film and Television Co., Ltd., Beijing Weimeng Chuangke Co., Ltd. jointly produced by Network Technology Co., Ltd. and Huawen Image (Beijing) Film and Television Co., Ltd., issued by Shanghai Taopaopiao Film and Television Culture Co., Ltd. and Beijing Seven Impression Culture Co., Ltd., distributed overseas by Seven Impression Culture Hong Kong Co., Ltd. It's on hot screen.