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After two years, Zhou Yun appeared on the cover of a fashion magazine again, striking the hearts of the people with her beautiful side and unique charm.

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And the other cover is a side close-up, Zhou Yun's side has always been called unique, clean jaw, full skull, no extra costume props decoration, but the beauty is unique and advanced, beautiful directly to the hearts of the people.

A French new media magazine released the double cover of its anniversary issue in late May. Actor Zhou Yun appeared in fashion magazine again after two years. Her long-lost face was slightly powdered and matched with retro red lips. Under the delicate lens of photographer Liu Zongyuan, she took pen and ink painting as the theme and blurred pure power.

Once the cover was released, it immediately caused a heated discussion among netizens:

"People like their names not only have elegant and generous manners, but also the charm of years."

"This bone, this collarbone, this shoulder neck, with the bright light. The profile is really amazing!"

" She's too beautiful. She's a Chinese beauty with an ink-wash temperament!"

The green ink left behind a dignified atmosphere that was independent from the world. Among the two covers that have been exposed, one is Zhou Yun dressed in a simple pure black dress, standing quietly on the inkstone, quite poetic "so-called Yiren, in the water side". Beautiful woman ink independence, full of poetry and calligraphy from the charm of China. The other cover was a close-up of Zhou Yun's face. Her face was clean, her skull was full, and she didn't have any extra accessories. However, she was extremely beautiful. The natural, pure and transparent lens presents Zhou Yun's excellent state. As her name suggests, she has a unique charm in this world.

Some netizens commented: "Zhou Yun has always been a woman I like very much, the more the taste has charm, worthy of her name." There is a power in her that I can feel strongly through this picture, telling me that she is proud, confident and brave. She's so charming."

The theme shooting of Oriental aesthetic elements is also creative, perfectly integrated with Zhou Yun's own temperament. On the inside pages of the magazine released at the same time as the cover, Zhou Yun mainly uses minimalist black and white pure color clothing, or stands on an inkstone, or leans on rice paper to draw. The ink, ink, paper and silk were rendered layer upon layer, like water that softened the ink, indifferent to the painting. Boundless artistic conception, boundless painting. Zhou Yun himself, as always, reveals the beauty of the atmosphere of light makeup, elegant and distant, and refined temperament.

Two years later, she appeared again in the public eye. The "rhyme" flavor precipitated by Zhou Yun contained more characteristics, light and gentle, and the years never lost beauty.

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