The naked old photo of Luo Wen's 10th anniversary has been exposed for the first time (photo)

the first Hong Kong male artist to be photographed in public nude, with extraordinary courage

it is already a bit difficult to explain Rowan's status as a superstar to today's young people.

the star is not Athena, not armed as soon as he lands. The Chinese singers before the Rowan era were closer to the ldquo; actor & rdquo; than the modern ldquo; star & rdquo;,. Most of them were nightclubs and shows. Even if they released records and appeared on variety shows, they had to go to the show to sing. If the guests are harassed, they have to put up with it; they have to drink a toast; they have to go to the party after the performance. & ldquo; & rdquo; means to be seen and driven at close range and to deal with personal relationships at close range. So, when fans of the later ldquo; star & rdquo; laughed at those half-star singers, they cited nothing but anecdotes about their dinners or meat-and-meat at the show.

At the end of 1960s, Chinese singers began to transition from ldquo; actor & rdquo; to ldquo; star & rdquo;, stage, and the media became more and more developed, which could create an appropriate distance between singers and listeners or audiences, so that singers could appropriately get rid of hand-to-hand combat with the crowd and still get benefits. Rowan formed a band at this time, began to sing theme songs for movies or TV dramas, and gradually gained the ability to master the big stage.

in April 1975, Ouyang Feifei held a solo concert at the ldquo; stage & rdquo; in Hong Kong. Teresa Teng and Rowan quickly followed suit. In 1976, they successively stepped onto the ldquo; stage & rdquo;, and Rowan sang 15 consecutive concerts on the ldquo; stage & rdquo;. In the 1980s, Elizabeth Stadium and Hung Hom Stadium were built successively, and both opened with Xu Guanjie's solo concert. since then, artists have moved from the show to large venues and stars have replaced & ldquo; actor & rdquo;,“ superstar era & the arrival of rdquo;.

The difference between

& ldquo; star & rdquo; and & ldquo; actor & rdquo; lies not only in the size of their stage and the distance from the crowd, but also in that they are conscious and no longer drift with the current, which can lead one side to the cultural trend. & ldquo; from China to foreign countries-rdquo; or Cantonese culture becomes the mainstream, all need specific and influential people to start. What Xu Guanjie and Luo Wen served at that time was this important task. They are the organizers and promoters of Cantonese pop songs, making Cantonese songs take on a new look from form to content. Film and television songs such as "Home change" sing philosophy of life, and film and television songs such as "Xiao Li Flying Dao" let Cantonese songs absorb poetry from the ancient flavor and form a unique style. Cantonese song listeners, from factory girls and factory boys, have expanded to everyone. It is from this that Luo Wen becomes & ldquo; superstar & rdquo;, his stage style, whether coquettish or gorgeous, is the product of this kind of abundant self-confidence, and it is a new realm that can appear only after the artist has changed from & ldquo; actor & rdquo; to & ldquo; star & rdquo;.

what do you miss when you miss Luo Wen or other stars? Every time I think of this question, I immediately think of Pasorini's film "Sodom 120 days". When everything in the world is performed in a more concentrated way in the castle, the female pianist plays the piano next to her, and sometimes she enjoys herself and sometimes fits in with the scene. When the furiest scene came, she did her duty, playing the piano earnestly, and when the sound was over with the best part of the reality, she left the piano, went to the window, and jumped quietly. In the best times and the worst times, there are artists performing their duties next to them, in order to make the whole scene more loud and achieve a seamless connection between the times and the times.

the Rowan era is both the best and the worst in Hong Kong. The rise of Hong Kong has brought spiritual boil, but it does not necessarily mean more tension and more oppression. Luo Wen's singing, Luo Wen's image and his anecdotes bring sound and fragrance to this good and bad era. Over the past ten years, his meaning has become clearer, and the Hong Kong behind him has finally gradually shaped the shrine in our hearts.

< strong > [Ten firsts you may not remember] < / strong >

Today is the tenth year since Luo Ji left us. What achievements have a generation of superstars left on the performance stage worthy of your memory? Here are 10 firsts about idols as Luo Wenzhong fans, writers and veteran media people.

the first Hong Kong male singer to post a film in Japan (1974)

& ldquo; he was the first singer in Hong Kong to make a record in Japan. He also took part in a singing competition in Japan. Rowan finally became the champion. No singer outside Japan has ever won before. & rdquo;

the first local singer to sing in Hong Kong (1977)

& ldquo; before 1977, the & lsquo; concerts & rsquo; in Hong Kong were mostly mixed singers in the karaoke hall. Luo Wen introduced the Las Vegas style to Hong Kong & mdash;—— everyone paid for dinner, and after watching the show, he found that Hong Kong people could accept it. So Luo Wen gave his own concert on the Lee stage in Hong Kong. & rdquo;

the first Chinese to hold a song in royal albert hall, London (1979)

& ldquo; he was the first Chinese to perform at the Royal Albert Hall in London. The approval of Albert Concert Hall is very strict, and this is a concert that he is very proud of. & rdquo;

the first Chinese to hold a song in m adison square garden, New York (1979)

& ldquo; had a large venue and was the first Chinese to perform there. It was an unprecedented evening. & rdquo;

the first Hong Kong concept album Hui (1981)

& ldquo; the person who filled the words at that time was asked to write a flower, which everyone thought was funny. This disc is based on the concept of physical objects, and even if it is put abroad, it is ahead of time. & rdquo;

the first Guangdong jazz album Midsummer Night (1981)

& ldquo; Rowan would like to introduce this type of music to Hong Kong people. At that time, in order not to break the jazz style, he was willing to release another additional disc to include his four TV theme songs. & rdquo;

the first Hong Kong male artist to shoot and publicly take nude photos (1981)

& when ldquo; released Midsummer Night, he took two photos, one in sailor and the other in swimsuit. I took an impromptu nude photo when I was shooting the swimming suit. This matter has also aroused a lot of criticism. & rdquo;

the first Cantonese musical in Hong Kong, the Legend of the White Snake (1982)

& ldquo; he has always hoped to do a musical to spread to the world. So he chose the folklore of the Legend of the White Snake. Pay for it yourself, regardless of the cost. The play took more than 20 performances before getting back to the original. & rdquo;

the first Guangdong Rap song "in the Laser" (1983)

& A German band in ldquo; at that time had a Rap song that became popular. Rowan discovered the song and decided to do this kind of Rap song in Hong Kong. & rdquo;