The first Hulusi Universal Education and Development Seminar concluded in Beijing

Famous cucurbit performer Li Chunhua

, Vice President of the China National Orchestral Society and Chairman of the Popularization of National Music Art Committee of the China National Orchestral Society Shen Cheng,

from October 1 to October 3, 2018, was sponsored by the China National Orchestral Society Popularization of National Music Art Committee, supported by the Musical Instrument Reform and Production Professional Committee of the China National Orchestral Society, hosted by Beijing Zhihong Borui Culture and Art Co., Ltd., and co-organized by Xinsiyun Hulu Art Troupe The first China cucurbit Popularization Education and Development Seminar and a series of cultural activities were successfully held in Beijing.

The event was held unprecedentedly across the two higher music institutions, the Central Conservatory of Music and the China Conservatory of Music. The three-day activities were colorful and exciting, including two special concerts of cucurbiti contemporary works and symphonies, an art performance to explore the development of cucurbiti performance skills, and the first China cucurbiti Universal Education and Development Seminar. Heavy-weight academic activities. This highly professional, ideological and artistic national instrumental music art event fully achieved the strategic significance of inheriting, promoting, displaying and disseminating Hulusi art through targeted academic activity design.

Crossing the two major conservatories of the Central Government and China, showing the style of Hulusi art.

On the evening of October 1, the first Hulusi Popular Education and Development Seminar and the opening ceremony of the 2018 China (Beijing) Hulusi Art Series Cultural Activities and celebrating the 69th anniversary of the People's Republic of China The National Day special concert of Hulusi contemporary works and symphony kicked off at the Guoyintang Concert Hall of the China Conservatory of Music, and the scene was filled with guests. Leaders and guests present included Shen Cheng, Vice President of the Chinese National Orchestral Society and President of the Popularization of National Music Art Committee of the Chinese National Orchestral Society, Wang Jun, Director of the Arts, Sports and Health Department of the Beijing City Education Commission, Chairman of the Foreign Cultural Communication Committee of the China Asian Economic Development Association Shen Li, Secretary-General Du Pan, famous composer and vice president of the Chinese National Orchestral Society, Zhang Dianying, famous composer and deputy director of the Expert Committee of the Chinese National Orchestral Society, Liu Yusheng, consultant of China National Orchestra Society, Li Chunhua, executive vice president of Hulusi Bawu Professional Committee of China National Orchestra Society and vice president of the Popularization of National Music Art Committee of China National Orchestra Society, Li Guanglu, president of Sheng Professional Committee of China National Orchestra Society, professor and doctoral supervisor of China Conservatory of Music, Yang Youqing, professor and conductor of China Conservatory of Music, Bamboo flute player Wang Jianping, executive vice president and secretary-general of the Bamboo Flute Professional Committee of the Chinese National Orchestra Society, Hou Yanqiu, vice president of the Suona Professional Committee of the Chinese National Orchestra Society and associate professor of the China Conservatory of Music, famous composer and chairman of the Yunnan Musicians Association Chen Yong, Li Jiyang, vice president of the Popularization of Folk Music Arts Committee of the Chinese National Orchestra Society and vice president of Changping No. 2 Middle School, Zheng Jingwen, artistic director and conductor of the Singapore Nanyang Philharmonic Orchestra, Li Chenggong, former deputy director of the Propaganda Department of the Wuhan Municipal Party Committee and director of the Wuhan City Cultural Bureau, and leaders of education bureaus, school principals and heads of training institutions from many regions across the country.

President Shen Cheng said in his opening speech: "A nation without music and art is unimaginable, and a society without music and art. Each of us is a successor and disseminator of China's national music, carrying the hope and future of promoting the art and culture of China's national music. Mr. Huang Xiangpeng, an ethnomusicologist, once said that "tradition is a river", and ethnic music is an important carrier in this river. We should let it have a long history and carry forward. The China Hulusi Popular Education and Development Seminar and the 2018 China (Beijing) Hulusi Series Cultural Activities were created to better promote and promote the popularization and development of Hulusi art."

Young conductor and flutist Gong Pengfei was specially invited to perform the concert. Yuan Ding, associate professor and master's supervisor of the Central Conservatory of Music, served as the piano accompaniment. Si Binglin, associate professor of Capital Normal University, presided over the concert. The famous cucurbit player Li Chunhua led the China New Silk Rhythm Hulusi Art Troupe to perform passionately, and the Beijing Philharmonic Orchestra concerto it.

Twelve works created by Hulusi are sung one by one in the Guoyintang Concert Hall. Hulusi solo (Dai)"Ancient Song" arrangement/Zhen Dequan, Hulusi and piano "Spring Warm Flower Country" composition/Li Chunhua, Hulusi and piano "Snow Lotus Blooming" composition/Li Chunhua, Hulusi and piano "Pear Flower Rain" composition/Li Chunhua, Hulusi and piano "Broken Bridge and Broken Moon" composition/Li Chunhua, unaccompanied trio "Jasmine Variations" adaptation/Li Chunhua, Hulusi and the band's "Horse Racing Variations" by Huang Haihuai Yuan, Li Chunhua/Compiled, Hulusi and the band's "Ode to Mulan" Compiled/Tu Zhimin, Hulusi and the band's "Lonely Black Horse" Compiled/Li Chunhua, Hulusi and the band's "Son of the Mountain" Compiled/Li Chunhua, Hulusi and the band's "Shandan Blooming Red" Compiled/Liu Feng, Hulusi ensemble's "Dance and Joy" Compiled/Li Chunhua. There are both solos and ensemble, as well as ensemble and large-scale band performances. This is the first time that Hulusi's special concert has been held on the stage of China Conservatory of Music. This year coincides with the 60th anniversary of the birth of the old artist, Mr. Gan Dequan. The concert is used to commemorate the important contributions made by Hulusi's seniors. The presentation of various forms and beautiful melodies completely ignited the enthusiasm of the audience. The crowd was excited and jubilant. The encounter and contrast between cucurbit silk and symphony allowed people to fully appreciate the power and beauty of cucurbit silk art, and at the same time, the symphonic potential of this art category has also been discovered.

On October 2, the 2018 China (Beijing) Hulusi Performance Art Exhibition was held at the China Conservatory of Music. It is the first time that such a large-scale Hulusi art performance has been held at the same time at the same time, two major institutions of higher learning, China Conservatory of Music and the Central Conservatory of Music, and it is of great significance. More than 1,000 adults and students from China (including Hong Kong, Macao, and Taiwan) and other overseas countries and regions engaged in gourd silk performance enthusiastically participated in the performance. The judging committee has a strong lineup, gathering authoritative reviews from famous domestic and overseas folk music players, composers, conductors, and critics.

The performance is divided into three groups: combination group, elite group and year group. The combination group was held in the Opera Concert Hall of the Central Conservatory of Music, and the elite group and year group were held in the teaching building of China Conservatory of Music. The three groups had a total of more than a thousand seats for players and teachers to observe for free. Among them, the combination group consists of ensemble, ensemble and other forms, with one piece of music selected, and 78 teams compete in turn, each leading the way, fully demonstrating the artistic tension and inclusiveness of Hulusi. The elite group performance specified seven tracks: "Ride the Wind","New Night Deep","Variation on Horse Racing Hulusi","Warm Spring Flower Country","Son of the Mountain"(C-tune Movement),"Lonely Black Horse" and "Pear Flower Rain". Under the unified accompaniment, more than 120 contestants showed their style, bringing different interpretations of the repertoire. The annual group performance is divided into four groups according to age: children group, youth group, youth group, and adult group. Unlike the elite group, it adopts an individual clear performance method and chooses one song. This group attracted more than 800 people to participate, including children. The proportion is as high as 72%. All the contestants in this performance played back. Under the orderly organization, it spanned the two higher music institutions, the Central Conservatory of Music and the China Conservatory of Music. Such a high-standard and professional performance greatly improved the contestants 'artistic practice ability and tapped a group of outstanding cucuris performing talents have effectively promoted the healthy development of cucuris performing art.

It is worth mentioning that a young player who was seriously ill insisted on watching the concert and participating in the entire performance, which moved everyone. After the organizing committee obtained the information, it waived all expenses for the player and arranged for him to take a group photo with his favorite idol Mr. Li Chunhua, and his family members shed tears of excitement. The scene was warm and touching.

After the performance, the second National Day special concert of Hulusi contemporary works and symphonies celebrating the 69th anniversary of the birth of the People's Republic of China was staged at the Opera Concert Hall of the Central Conservatory of Music. After a whole day of intense competition, the contestants gathered here to listen to the charm of Hulusi art classics playing in the music hall. At that moment, I believe that every Hulusi person's heart will rise with heartfelt pride again. Many years later, These two concerts are still talked about by the successors and have become the common memory of a generation of Hulusi people.

On

October 3, the first China Hulusi Universal Education and Development Seminar was held in the 208 Concert Hall of the Teaching Building of China Conservatory of Music after the art of Hulusi blossomed. The seminar brought together well-known domestic experts and scholars in the field of national music, focusing on hot issues such as Hulusi theory, creation, performance, universal education, and musical instrument making, and showcasing the results of the development of Hulusi universal education today. Yang Qing, famous composer, vice president of the China National Orchestra Society, professor and doctoral supervisor of Capital Normal University, Zhang Dianying, famous composer and deputy director of the Expert Committee of the Chinese National Orchestra Society, Liu Yusheng, consultant of the China National Orchestra Society, Feng Yuankai, chairman of the Professional Committee of the Musical Instrument Reform and Production of the China National Orchestra Society, executive vice president of the Hulusi Bawu Professional Committee of the China National Orchestra Society, Li Chunhua, Vice President of the Popularization of National Music Art Committee of the China National Orchestra Society, Li Jiyang, Vice President of the Popularization of National Music Art Committee of the China National Orchestra Society and Vice President of Changping No. 2 Middle School, Editor (Professor) of the People's Music Publishing House, Executive Director of the China National Orchestra Society Zhang Hui, famous composer and chairman of the Yunnan Musicians Association, Vice President of the Musical Instrument Reform and Production Committee of the China National Orchestra Society, Zhao Hongliang, leader of the Wind Instrument Improvement Group of the Musical Instrument Reform and Production Professional Committee of China Ethnic Orchestra Society, Zhang Liying, a senior middle school teacher and conductor of the Beijing No. 5 Middle School Jinfan Folk Orchestra, Jing Entao, the Musical Instrument Reform and Production Professional Committee of China Ethnic Orchestra Society, and principals of primary and secondary schools from all over the country attended the event. The seminar consisted of 6 keynote speeches and 3 sharing forums with different themes and perspectives.

During the keynote speech session in the morning, Mr. Zhang Dianying said in "Old Folk Music People's Thoughts and Prospects on the Development of Hulusi Art":"In the past ten years or so, Hulusi art has flourished, made breakthroughs and developed, has unprecedented influence, and the pace of professionalization is accelerating, but there is still a difficult way to go. This event is another big step forward for Hulusi on the road to professionalism. I sincerely wish Hulusi Art to enter professional music schools as soon as possible. I also believe that this day is not far away." At the same time, he also pointed out that in order to realize this wish, the direction of efforts lies in creating works, and gourd silk art must create works with epic thoughts.

For a long time, Hulusi artistic creation has been more in a state of folk spontaneity. Professor Yang Qing specifically talked about creative issues in his keynote speech "Experience on the Creation of Contemporary Hulusi Works". After listening to the 12 works of "Silk Rhythm Flowing Fragrance", Professor Yang Qing was deeply shocked by the concerto ability of Hulusi and the symphony orchestra."This Hulusi music creation concert can be said to be a demonstration of the peak of Hulusi music creation. Hulusi's performance art and musical expression have reached a new level. If Hulusi music wants to reach a higher peak, enter the field of professional music in China, and be on an equal footing with other China national musical instruments, it must have more excellent works reserves. From 'children's toys' to 'professional art', Hulusi art has achieved leapfrog results in public concepts and thoughts. This event is an important event in the development process of Hulusi art that can be recorded in history. It plays a very good leading and demonstrating role in its future development." He also suggested establishing a Hulusi Art Creation Fund to attract professional composers to actively join the Hulusi art creation team, strive to explore the characteristics of Hulusi instruments themselves, and create more high-quality works.

President Feng Yuankai introduced in "Promoting the Reform of Hulusi and Achieving the Goals of Standardization and Regularization": According to the national output data of various ethnic musical instruments in 2017 released by the Music Reform Commission, my country's ethnic musical instrument industry produced a total of various ethnic musical instruments in 2017. There are a total of 16.2 million pieces of products, of which Hulusi alone accounted for 9.3 million pieces, ranking first in output and far ahead. The production areas are mainly concentrated in Yunnan, Hunan provinces and Tianjin. Since 2015, Hulusi has entered the music teaching equipment catalog for primary and secondary education. He further pointed out: "Nowadays, the development situation of Hulusi art is very good. If we want to seek professional development, enter the teaching system of professional music colleges, and achieve normalization, we must first standardize it. When a certain musical instrument develops to an advanced stage, it is bound to enter standardization. During the standardization of Hulusi art, it should have the condition of standardizing musical instruments to meet the development needs of new forms, new channels, and new literature and art." He suggested that a seminar on how to develop cucurbit silk towards standardization should be held at an appropriate time to discuss this issue.

In addition, Jing Entao, Li Jiyang, Chen Yong, Zhang Liying, Li Chunhua and others successively brought "Acoustic Analysis Report on the Production of Hulusi Musical Instruments","How to Promote Art Education in Primary and Secondary Schools","Some Suggestions on Hulusi Music and Industrial Development","Taking Beijing City No. 5 Middle School as an Example, Some Suggestions on Hulusi Music and Industrial Development" and "The Current Situation and Future of Hulusi Art" to share the five themes, which are insightful insights, thought-provoking and thought-provoking.

Hulusi and the band's "Fantasia Namunona", created by Chen Yong and performed by Li Chunhua, was released on the spot. The launch of this "big piece" work is a groundbreaking milestone in Hulusi's artistic creation. Amid the affectionate and beautiful melody, participants excitedly circulated this CD, which has special significance to the Hulusi people. Behind Li Chunhua's meticulous explanation of this work is also his heart for Hulusi art. He sincerely hopes that with the joint efforts of the majority of Hulusi people, the professionalization process of Hulusi art will be promoted and the development of Hulusi art. Brilliant.

Among the three sharing forums in the afternoon of that day, the "Principal Sharing Forum" was shared by some representatives of primary and secondary school principals across the country, and the "Education Popularization and Development Sharing Forum" was shared by some representatives of private education institutions across the country."Current development opportunities and bottlenecks of private Hulusi educational institutions". The "Performance and Production Sharing Forum" was analyzed by experts such as Chen Yong, Zhao Hongliang, Jing Entao, and "There are problems between Hulusi in the eyes of performers and current Hulusi." Issues that were both high-profile and close to real needs triggered heated discussions and wonderful interactions on the spot.

At a time when the art of Hulusi is booming and becoming a prairie fire, and is facing a critical juncture of professional development, the first China Hulusi Universal Education and Development Seminar was held at the right time. Ideas collide here and wisdom shines here. Experts actively provide suggestions and suggestions for the future development of gourd silk art from their respective professional perspectives, and put forward many topics worthy of in-depth discussion and research. It can be said that it will be for the future development of gourd silk art. The direction pointed out.

The 1st Hulusi Popular Education and Development Seminar and the 2018 China (Beijing) Hulusi Art Series Cultural Activities comprehensively and multi-dimensionally reviewed Hulusi universal education, theoretical construction, performance level, work creation, musical instrument making and other fields and multi-dimensional academic integration and achievement display, summarizing and exploring the innovative development of Hulusi art in the new era, and comprehensively promoting the academic construction and development of Hulusi. Although the future development of Hulusi art has a long way to go, there are such a group of insightful people who are trying their best to think about and actively promote the future development of Hulusi art. We have reason to believe that Hulusi art, which has experienced free growth, is now booming. Under the trend of development, it is bound to become more professional and gain a place in higher music schools. At the same time, it will become more popular and popular among the people.