Li Yugang's "Zhaojun out of the plug": filling in the blanks of Oriental Classic stage plays

recently, the world premiere of the epic stage drama "Zhaojun out of the Sai" will be held at the Poly Theater in Beijing from April 16 to 19. The play is a cultural feast of literature and vision meticulously created by Li Yugang, a first-class production team in China. This play has not only been widely concerned by netizens and people in the industry, and was sold out in the first round, but also its beautiful stage design and the reshaping of classic stories have been expected and discussed by many netizens.

it is reported that "Zhaojun out of the Sai" is the sincere work of Mr. Li Yugang, which has been dormant for three years. It brings together the top production team in China. Mr. Mei Shuaiyuan and Mr. Ye Jintian served as artistic and visual directors, Ms. Huang Xing was the chief producer, Mr. Fang Wenshan wrote lyrics and Chang Shilei composed music, and the top production team in China joined. Such a combination of "perfect match" provides a qualitative guarantee for the stage drama, while reshaping the classic story of "Zhaojun out of the plug" to the audience, it also brings a visual feast of the new oriental aesthetics to the audience. "Zhaojun out of the plug" can be said to really fill the gap in the aesthetics of oriental stage drama.

as the representative of China's "four beauties", Wang Zhaojun is not only talented and beautiful, but also the ultimate representative of maternal realm and Chinese feelings. In this stage play, Mr. Li Yugang used a special way of performance to integrate Chinese national art, traditional opera and opera and other artistic elements into a whole, with strong and soft dance and drama techniques, to show Wang Zhaojun's sad and moving story of choosing for his ideal and going to the desert courageously for the nation.

in terms of stage art and drama design, Zhaojun out of the Sai also comprehensively interprets the aesthetic concept of oriental stage drama based on history and beauty. In the light dance, the play has done the light and shadow laying, using things to describe people; in the clothing and makeup, the play not only adapts to the scene and customs, but also highlights the image of the character itself, extremely beautiful. In the whole play of Zhaojun out of the Sai, there is grandeur in the poignant beauty and great meaning in the gentleness. In Wang Zhaojun, Jane, Han Yuan Emperor and other rich characters are divided into waves, looking at the moon, out of the plug and other chapters. Bring a stage masterpiece with oriental aesthetics and national feelings to the audience. Not only that, the soundtrack of Zhaojun out of the Sai is also very exquisite. The use of Chinese and Mongolian musical instruments, national melodies, poems and songs shows the mournful and magnificent wandering of Zhaojun in his life, which also makes this oriental stage drama beautiful and perfect.

Zhaojun's long journey implies not only culture, but also the transmission and innovation of civilization. In the previous history of stage drama, the emergence of Zhaojun out of the Sai can be described as a perfect demonstration of the shock and eye-catching of the real "oriental aesthetics" to the world. Its stage, lighting and clothing with oriental aesthetic characteristics, under the influence of multiculturalism, impeccably annotates the ultimate beauty of Chinese stage dramas. At dusk in the desert and the tears of beauty, it can be said that this high-profile oriental stage classic fills the gap of Chinese classical stage plays on the world stage and becomes the representative work of Chinese stage dramas in 2015.