Give up the high invitation to variety shows and take the initiative to hibernate! Yang Zi temporarily bid farewell to the circle and exposed the dilemma between entertainment traffic and actors 'original intentions.

Jiuzhi Network News In an internal entertainment environment where variety shows are quick to realize, exposure is stable, and short-term profits far exceed filming, top-class artists have taken the initiative to reject invitations for all categories of variety shows, and have completely stopped staying or flying for a year or two. Yang Zi's solemn official announcement in the exclusive interview with the new drama "Family" broke out of the flow of insiders and instantly tore open the industry's long-standing abnormal situation of "relying on variety shows to continue its life and using filming as a sideline", becoming a career choice with great practical significance in the current entertainment industry.

Over the years, major leading variety shows have successively offered cooperation olive branches to Yang Zi. From national-level competitive variety shows to veteran life reality shows, there is an endless stream of online invitations. As long as you sign up to appear, you can easily reap high notice fees and maintain a sense of presence throughout the year. Looking at the industry, countless actors have given priority to entering variety tracks after becoming popular, using reality shows to create distinctive characters, using fragmented lenses to harvest the popularity of passers-by, and then relying on variety popularity to connect with commercial resources in reverse, forming a short, smooth and fast profit loop. The filming cycle is long, the wind and the sun are exposed, and it takes months or even a whole year to polish the characters. Compared with variety shows, it is difficult for most artists to resist the temptation. Over time, screen actors gradually become regular guests in variety shows, and the polishing of their acting skills becomes a corner matter.
Yang Zi's decisive refusal to accept the interview was not a whim, but a sober self-examination after many years of deep cultivation as an actress. Growing up from a child star to a drama actress, she has experienced the ups and downs of traffic, and has also seen through the hidden drawbacks brought by variety shows: actors show all their true personalities and daily demeanor in variety shows, and their mystery is constantly dispelled, and they subsequently appear in film and television dramas. When it comes to play, the audience is easily disturbed by the inherent variety show impression, resulting in frequent appearances and difficulty empathy with characters. This is also the core reason why many powerful actors are cautious in variety shows all year round. Many seniors in the industry have long pointed out that actors need to be left blank and immersed, and excessive exposure of personal characteristics is an invisible loss on the road to performing arts. The impromptu entertainment expression of variety shows will slowly wear off the concentration of immersive character creation.
Looking at Yang Zi's work trajectory in recent years, it is not difficult to understand her career planning logic. Previously, it took several months to shoot reality-themed films based on the plateau, and spent most of the year in the crew studying scripts and experiencing character life. The schedule was scheduled from the beginning of the year to the end of the year. Continuous filming caused long-term overload to the body. She knows that people's energy is limited. Taking into account variety shows and filming film and television dramas, distraction from both ends will ultimately make it difficult to improve both. The essence of suspending variety shows is to leave all the time originally spent on variety recording and schedule to script study, life collection and acting precipitation, jumping out of traffic kidnapping and returning to the most original creative standard of actors.
This option is particularly scarce in the impetuous traffic market. The current division of the entertainment industry is becoming more and more obvious: some artists are deeply involved in the variety show circle and rely on variety artists to be active in the public eye all year round, but they cannot produce word-of-mouth masterpieces all year round; another group of sober artists actively streamline exposure, reduce the consumption of ineffective variety shows, and focus on polishing your works and using high-quality dramas to stabilize your position in the industry. Yang Zi used practical actions to take the latter side, breaking the inherent prejudice that "traffic must rely on variety shows to continue popularity" and confirming that the foundation of a good actor is always the work, not the instantaneous popularity under variety shows.
Of course, Yang Zi did not completely deny the value of variety shows. She never denied that high-quality variety shows have the role of promoting works and bringing audiences closer. She only refused to be tied to life by variety shows and consume the vitality of performing arts. A short period of one or two years is to leave a window for growth, jump out of the homogeneous traffic routine, try more film and television characters with large spans and different styles, and broaden the boundaries of your own theater path.
Her official announcement is not only a personal career adjustment, but also a reference for the new generation of actors who are in confusion: short-term variety dividends are ultimately fleeting, and screen works are the hard currency for actors to cross the industry cycle and have a long-term foothold. As more and more artists are willing to put down their quick money and quietly take root on the set, only then can in-house entertainment gradually get rid of the cycle of dependence on variety shows and usher in an era of healthy development in which works are king.