From Huang Bozhi's "humor", Wang Kaizhi's "waiting", Zou Shiming's "persistence", to Liu Yanzhi's "indifference", Tian Pujun's "prejudice", and Dong Zijian's "stocking", every guest has chosen the most authentic, self-centered and innermost experience sharing, and strives to extend our thinking on issues from one's own to the broader industry, generations, and even society and life. Huang Bo, Wang Kai, Liu Yan, Zou Shiming, Tian Pujun, and Dong Zijian arrived all together and shared their stories as speakers...

When it comes to the development of literary IP, game IP and movie IP, Sun Zhonghuai believes,"So far, we have led the development, and we have also chosen to cooperate with the best film production companies and producers to develop it. It's like we have already washed it. A plate of excellent cherries is placed in front of us, and we choose like-minded people to cooperate." When it comes to the development of literary IP, game IP and movie IP, Sun Zhonghuai believes,"So far, we have led the development, and we also have choices to follow the best movie makers...

On June 14, the 19th Shanghai International Film Festival Internet Film Shanghai Summit was held as scheduled. Xu Yongming, general manager of Baidu Nuomi Films, was invited to attend the "Sword Discussion at the Peak of the Golden Age of Movies" summit forum to discuss with industry colleagues "Related issues such as" China Capital's competition to go to sea and how much it will shake the global film landscape." On June 14, the 19th Shanghai International Film Festival Internet Film Shanghai Summit was held as scheduled. Xu Yongming, general manager of Baidu Nuomi Pictures, was invited to attend the "Film Festival...

Wang Chen, CEO of China Television Entertainment Investment Group Co., Ltd., the original title: Adapting loyal fans of Big IP is adapting more and more popular novels of the "double-edged sword" into film and television works, and some loyal readers have become their loyal audiences. In Wang Chen's view, there are countless "iron fans" who support the survival of big IP. However, for IP adaptation, the existence of loyal fans is a "double-edged sword."

Xie An introduced that five of the six major production companies in the United States have discussed with the Digital Kingdom whether VR can be carried out to the next stage of movies. However, since the hardware has not yet kept up, it may take some time for the application of movies, but the trailer can be used. As a pioneer in the industry, Xie An, CEO and Executive Director of Digital Kingdom, bluntly stated yesterday that there are various chaos in the VR industry and even questioned the effectiveness of many companies "doing PR (public relations) under the title of VR companies."

At the forum, Zheng Zhihao believed that Internet + today has brought new development opportunities to the film industry and provided greater development space for new Internet + movie entertainment platforms such as Cat's Eye. Zheng Zhihao believes that today's Internet + has brought new development opportunities to the film industry, and has also provided greater development space for new Internet + movie entertainment platforms such as Cat's Eye.

Reporter: The independent films that were very prosperous in the United States in the 1980s and 1990s were also some genres with relatively new styles, but companies like Miramax did particularly good marketing and were very successful commercially. Do you think such an era might emerge in China? Qin Hong: I have been making movies continuously for so many years. Now, I have supported and helped some popular directors.

As an important part of the content side of LeEco's industrial chain and the traffic portal of LeEco's entire ecosystem, LeEco Video has shown vigorous development momentum in the past two years. It has not only repeatedly created good plays that the industry admires, but also has a strong impact on the future development trend of the entire video side. The grasp and the large-scale exploration of new models have also given innovative inspiration and great pressure to other practitioners. As an important part of the content side of LeEco's industrial chain and a traffic portal for LeEco's entire ecosystem, LeEco Video has shown great success in the past two years.

Yesterday (June 16), at the film festival "Media Meeting with the Dean and Chief Professor of Shanghai Film Academy of Shanghai University", Chen Kaige talked about some views on education in the film industry today, and called for some changes to the traditional college entrance examination model of the film industry. Only people with certain social experience and spiritual feelings can be trained as a qualified director. Young people should have certain social experience and spiritual feelings before they can become qualified electricity...

Ang Lee believes that China films have reached the golden age, but he hopes that this is only the beginning of the golden age. Young filmmakers should not become impetuous because of the fast-moving film market, but need to lay a solid foundation. Ang Lee believes that China films have reached the golden age, but he hopes that this is only the beginning of the golden age. Young filmmakers should not become impetuous because of the fast-moving film market, but need to lay a solid foundation.

Our film academy graduates so many outstanding students every year, and there are so many talented young people who like movies in China. They need opportunities and some logic to cultivate them step by step. It is possible that the first film was not successful, but for Huayi, it is that they will discover their potential in their unsuccessful works and will insist on making the next one. Ye Ning: This discussion is a bit strange. Young directors in China are very good nowadays. Every year, they will definitely find some remarkable works...

Wanma Caidan: I think it is difficult in China because it requires an audience training mechanism. Only after many years of training can the audience develop an aesthetic interest in art films. In an exclusive interview with reporters, Wanma Caidan sincerely talked about the situation of contemporary China art films.

Reporter: According to the current trend, big online movies may soon be produced in large quantities like online dramas. However, not long ago, there was a voice in a certain screenwriter forum that some screenwriters are not optimistic that big online movies will produce good works. You are a senior screenwriter and have a "network sense". How do you think about this issue? Reporter: You are an expert in making film and television dramas. The company is regarded as the first target of online dramas in the capital market. The Internet has changed the format of film and television dramas, but the aesthetic taste of online generations has changed rapidly...

From this point of view, the IP project planning of cat films is indeed very different from that of traditional manufacturers. Whether it is a novel, a game or a film and television, cat films start based on users 'interests and end with users' continuous attention. The whole process is only operating users rather than operating IP hype capital. After this cycle, it may be an effective operation model for the entire IP industry. After Baidu Literature was acquired by Perfect Film and Television, he was not satisfied with Liu, who only operated capital...

Before becoming a producer, Sun Yanjun served as head of Baidu's entertainment business department and director of iQiyi's content department, and accumulated considerable relevant experience. Later, the establishment of Longitudinal Cultural Media adhered to the principle of "quality is the core of the work" and continued to create high-quality products that are both artistic and commercial. Its core concept is a vertical platform for film and television incubation, production, promotion, and online distribution. It strives to incubate and invest in production from film IP. Marketing publicity and promotion to online distribution form a series of vertical production...

"Red Bands" 20 years ago-a landmark work in Tang Jili's career as a director, allowed Jackie Chan to open up a scene in Hollywood in the form of an action comedy. The US$32 million North American box office at that time is still enough to make many directors even younger." Tang Jili said that up to now, after 37 years of film infiltration, his idol is no longer Bruce Lee alone. There are two others, one is his boss Run Run Shaw, and the other is his godfather He Guanchang...

Although many companies have entered the VR field at present, the content is mixed, and many themes are not suitable for making VR content. In the future, the Interactive Vision will focus on three-dimensional immersive and interactively exploitable content. VR's exclusive IP+ is the most innovative. Sexual interaction method + film-level full-process control model + continuous and mature commercial monetization model may become the most significant core competitiveness of the Interactive Vision in the VR video field. Interactive Vision CEO Zhang Hailang: Panoramic video is not a VR video...

Regarding the statement that film and television music works will usher in spring, Wang Liguang believes that film and television practitioners have not yet truly realized the importance of film and television music and still need to wait patiently. In order to create music for the TV series "Marshal Peng Dehuai", Wang Liguang went to Jiangxi many times to collect music. He hoped to interpret a three-dimensional Peng Dehuai through his music creation.

"Yan Geling said that what Yan Geling feels most about the China film market supported by capital is the" box office theory." Yan Geling said that what Yan Geling felt most deeply about the China film market with capital support was the "box office theory."

In addition to concerns about the rapid development of the film market, Kusturica is even more helpless about the current "production-oriented" films."Unfortunately, now that movies have become a product, everyone is starting to talk about box office, and no one talks about the meaning of movies." Kusturica believes that the film market, which lacks the "metaphysical" process, has become a product of "short frequency and fast".